Music Companies in Leeds: 152 Active Firms (2026)
Music and recording companies in Leeds create, produce, publish and distribute audio content across the surrounding metropolitan area.
Buying centres tend to sit with venue operators, artist teams, independent labels, agencies, event organisers and brand-side marketing teams rather than with a single enterprise procurement function. Engagements are usually project-led: a recording session, production brief, catalogue administration job, sync placement, live-event audio package or retained music-services relationship. The buyer profile is mostly business-to-business and creative-industry adjacent, with some work for consumer-facing entertainment, hospitality and media clients. Lean teams often combine studio capacity, rights know-how and producer relationships, so commercial fit depends as much on repeatable client flow as on repertoire.
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Leeds has 152 actively trading music and recording companies in this cohort, a relatively small specialist base rather than a broad industrial cluster. The employment footprint is lean: reported headcount totals 131 people, pointing to owner-managed studios, rights-services businesses and production teams that often operate with freelancers or project collaborators outside the payroll. Only one company reports turnover above £5M, while 37 were incorporated since 2022, so the local market skews towards microbusinesses and early-commercial operators rather than a deep pool of revenue-scaled firms.
Commercial exposure sits less with prudential regulation than with rights ownership, permissions and contracting discipline. Studios, publishers and audio producers need clear chains of title for recordings, compositions and samples, especially where work moves between artist services, venue use, advertising, podcasts and screen production. The market structure is fragmented, with small suppliers selling into project budgets set by labels, event organisers, agencies and media clients. That tends to make cash collection, usage scope and renewal rights as material as the recording or production work itself.
The near-term outlook appears steady but capacity-constrained. Leeds-based operators tend to sit close to venues, agencies, artist networks and regional media buyers, which can support repeat work but rarely creates the sales machinery associated with larger software or media-services groups. Scarcity of revenue-scaled firms suggests acquisitions and partnerships may matter more than standalone scaling for some operators. Early-commercial entrants are likely to keep testing mixed models across studio work, rights administration, live audio and branded content, while more mature suppliers focus on repeat clients, catalogue control and margin discipline.
What’s in the file
One row per company, 50+ columns — everything below plus each company’s verified directors, from Companies House filings.
Company data
Verified directors — included
152
Active firms
2026
1
Above £5M
Annual revenue
37
Founded since 2022
Recent incorporations
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Key facts
About 1% of the trading cohort reports turnover above £5M (1 of 152 firms) — the rest sits below that revenue band.
24% of the cohort was incorporated since 2022 (37 firms), so a sizeable share is in its first few filing cycles.
Leeds-area music companies cover creation, production, publishing and distribution across the surrounding metropolitan area.
The segment sits between creative production and commercial rights management, with income models tied to recorded output, publishing, distribution and services.
Commercial value can sit in rights, catalogues, production assets or distribution relationships, not only in operating scale.
Buyer routes tend to differ between artist services, media-buyer work and business-to-business production contracts.
Top Leeds Music companies
Financial sub-scores
Computed from 5 filingsOperates an independent record label that signs and promotes music artists, releases albums and singles, publishes recordings, and sells physical and digital music through an online shop while…
Sells primarily to music consumers and collectors, including fans of its signed artists buying records, bundles and merchandise online; also engages live music audiences and mailing-list subscribers.
Financial Health
WeakWeak · 0% CAGR over 5y
Location
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Financial sub-scores
Computed from 5 filingsOperates an online music licensing platform providing curated tracks from independent artists for use in film, video, advertising and digital content. Offers subscription and pay‑per‑use licences and…
Serves production companies, marketing agencies, brands, freelance filmmakers, YouTubers, wedding videographers, music supervisors, educators, non-profits, churches, hobbyists, and game/app…
Financial Health
HealthyHealthy · Hiring · 38% CAGR over 4y
Location
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Financial sub-scores
Computed from 5 filingsPromotes and produces live music and comedy events, operates music venues, and organises festivals. Provides artist services and ticketing for concerts and outdoor shows, including events such as…
Serves a mix of B2C audiences and B2B partners: music and comedy fans buying tickets, artists seeking performance opportunities or services, and brands looking to engage live entertainment audiences.
Financial Health
HealthyHealthy · -67% CAGR over 4y
Location
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Computed from 3 filingsProvides artist booking and management services for electronic and dance music DJs, representing performers and arranging bookings with clubs, festivals and promoters for live performances and tours.
Serves dance music event promoters, nightclubs, festivals, venues and entertainment buyers seeking DJ talent for live events and bookings.
Financial Health
DistressedDistressed · -13% CAGR over 2y
Location
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Financial Health
N/AN/A
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Financial sub-scores
Computed from 5 filingsProduces branded podcasts and audio‑visual content for businesses. Provides podcast creation, radio show and music programme production, studio hire, distribution and syndication, marketing and…
Serves B2B clients including brands, agencies, media companies and music industry teams seeking podcast, branded content, radio and social content support.
Financial Health
HealthyHealthy · Hiring · 24% CAGR over 4y
Location
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Computed from 5 filingsProduces and stages live music events and entertainment shows, providing production management, technical production, touring support and set build services for concerts, tours and other live…
Serves B2B entertainment clients, including music artists, tour promoters and event organisers involved in live music events, shows and touring.
Financial Health
WeakWeak · -12% CAGR over 4y
Location
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Computed from 3 filingsProvides creative production services for the music, technology, and entertainment sectors. Produces live performances, immersive showcases, and branded content projects for artists and platforms,…
Serves B2B clients in the creative, technology and entertainment sectors, including music platforms, record labels, awards/event organisations and artist teams needing production support.
Financial Health
StrongStrong · Hiring · 22% CAGR over 2y
Location
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Financial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · 0% CAGR over 2y
Location
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Computed from 5 filingsFinancial Health
StrongStrong · Profitable, Growing · 0% CAGR over 4y
Location
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Computed from 5 filingsFinancial Health
DistressedDistressed · -68% CAGR over 4y
Location
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Computed from 3 filingsFinancial Health
DistressedDistressed
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Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
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Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
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Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
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Computed from 4 filingsFinancial Health
DistressedDistressed
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Computed from 3 filingsFinancial Health
HealthyHealthy · 0% CAGR over 2y
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Financial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Hiring · 19% CAGR over 4y
Location
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Computed from 2 filingsFinancial Health
StrongStrong · Profitable
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Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
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Financial Health
N/AN/A
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Computed from 2 filingsFinancial Health
DistressedDistressed
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Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
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Computed from 4 filingsFinancial Health
HealthyHealthy
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Computed from 3 filingsFinancial Health
StableStable · -90% CAGR over 2y
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Computed from 5 filingsFinancial Health
StableStable
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Computed from 5 filingsFinancial Health
DistressedDistressed
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Computed from 5 filingsFinancial Health
DistressedDistressed
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Computed from 5 filingsFinancial Health
DistressedDistressed · -66% CAGR over 4y
Location
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Computed from 5 filingsFinancial Health
StableStable
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Computed from 2 filingsFinancial Health
StrongStrong
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Computed from 4 filingsFinancial Health
DistressedDistressed
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Computed from 4 filingsFinancial Health
DistressedDistressed
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Computed from 2 filingsFinancial Health
StableStable
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Computed from 4 filingsFinancial Health
StrongStrong · 0% CAGR over 2y
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Computed from 4 filingsFinancial Health
HealthyHealthy · 0% CAGR over 3y
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Computed from 3 filingsDevelops and sells virtual instruments and downloadable sample libraries for music production and composition, including piano, orchestral, guitar and atmospheric sound libraries used in film,…
Serves composers and music producers, especially those creating scores for film, television and games, who buy virtual instruments and sound libraries for piano, orchestral, guitar and toolkit-based…
Financial Health
StrongStrong · Growing, Hiring · 22% CAGR over 2y
Location
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Computed from 5 filingsProvides music rights management and royalty collection services for artists and music businesses. Offers consultancy on contracts and industry partnerships, organises live performances and…
Serves artists and music businesses, including songwriters, music publishers, record producers, artist management firms and licensing professionals in the music industry.
Financial Health
HealthyHealthy
Location
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Computed from 2 filingsProvides a digital fitness music platform offering professionally produced playlists and mixes for group exercise classes. Includes tools such as BPM control and interval timers, enabling gyms and…
Serves gyms, fitness studios, leisure trusts, group exercise operators, personal trainers and fitness instructors in the fitness and wellbeing sector.
Financial Health
StrongStrong · Hiring · 33% CAGR over 1y
Location
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Computed from 4 filingsFinancial Health
DistressedDistressed
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Computed from 5 filingsProvides music management services for bands and artists, including career development, contract negotiation, financial planning with advisers, touring strategy, and marketing coordination supporting…
Serves bands and recording artists, particularly those in defined sub-genres, seeking professional music management and long-term album career development through the wider music industry.
Financial Health
StableStable · -4% CAGR over 4y
Location
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Computed from 4 filingsFinancial Health
StableStable · 0% CAGR over 3y
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Computed from 5 filingsFinancial Health
HealthyHealthy · Hiring · 19% CAGR over 4y
Location
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Computed from 5 filingsFinancial Health
StrongStrong
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Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
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Computed from 5 filingsOperates production studios and rehearsal spaces for live events, film and broadcast. Provides stage and set design, staging construction, equipment and AV rental, crew support, and training…
Serves artists, brands, broadcasters, production companies and corporate event teams in the live events and entertainment industry, including clients producing tours, shows, product launches, films…
Financial Health
StableStable · -64% CAGR over 4y
Location
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Computed from 5 filingsFinancial Health
DistressedDistressed
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Computed from 5 filingsFinancial Health
HealthyHealthy
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Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
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Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
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How Leeds Music companies work and how to sell to them
What they do
Leeds music businesses usually earn revenue from a blend of paid studio time, production and engineering fees, mixing and mastering, publishing administration, sync and licensing work, live-event audio, and retained support for artists or agencies. Pricing is often by day rate, per-track fee, project quote, commission or royalty share, with recurring income more likely where catalogue administration, venue support or ongoing content production is involved. The offer is part professional service, part specialist facilities and part rights management, so margins depend on utilisation, subcontractor costs, client repeat rates and how clearly usage rights are defined at the outset.
Who they sell to
Most sell to artist managers, independent labels, venues, promoters, agencies, media teams, event producers and brand-side marketers rather than formal procurement departments. The buyer is often a founder, label manager, head of production, marketing lead, event director or finance-aware owner-manager signing off a project budget. Smaller recording or production jobs can move from enquiry to booking quickly, while rights, sync, retained audio support and live-event packages tend to involve more negotiation around usage, deliverables and timing. Direct relationships, referrals and creative networks usually matter more than public tenders, although larger media and event clients may still impose supplier paperwork.
What they buy
Most music firms tend to spend on tools and services that reduce administration without getting in the way of production work. Common buying areas include accounting, invoicing, payment collection, project management, CRM, contract management, rights and metadata tracking, file storage, backup, cyber security, website management and marketing analytics. Many also buy specialist legal support for copyright, licensing and client contracts, alongside bookkeeping, tax advice, insurance, freelance onboarding, recruitment and paid marketing. Businesses with studios or live-audio activity may need equipment finance, maintenance, acoustic services, facilities work and scheduling systems that help keep rooms, engineers and external collaborators booked efficiently.
Why and how to sell to them
Music buyers tend to review suppliers when project volume rises, a new studio room or live-event contract changes capacity needs, release schedules become harder to manage, or royalty and licensing work starts to create an audit trail problem. Pain points are usually practical: late payment, unclear usage scope, scattered files, rights disputes, underused equipment, freelancer coordination and limited visibility on job-level margin. Outbound messages are more credible when they connect to those triggers rather than to generic growth claims. Useful angles include faster quoting, cleaner contracts, better cash collection, clearer catalogue records, reduced production admin and a better view of which clients or project types actually make money.
How this list is built
Data sources
This list is built from UK Companies House filings, XBRL accounts data, and semantic analysis of each company's public website. Revenue and headcount figures come from the most recent filed accounts; where the company has not filed, values are estimated using a model trained on filed history and peer benchmarks and are labelled as estimates.
Classification
Rather than relying solely on SIC codes, Firmbase classifies each company semantically: the company's website is crawled, an AI model reads what the company actually sells, and the company is placed into the relevant industry and subsectors. SIC codes are used as one signal but not the only one. This means a company that registered under a generic SIC code but pivoted into (for example) fintech is correctly identified as fintech, not as its original SIC category.
Freshness
The underlying company data is refreshed from Companies House continuously; filings appear in the list within days of submission. The curated list ordering is regenerated when the underlying data moves meaningfully (company count changes by more than 5%, a new company enters the top-ranked segment, or the filed-revenue numbers for the top firms change). You can see the last-updated timestamp near the top of the page.
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Frequently asked questions
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