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Music Companies in Newcastle upon Tyne: 73 Active Firms (2026)
Music companies in Newcastle upon Tyne produce, record, publish and support commercial audio content across the surrounding metropolitan area.
Buying centres in Newcastle upon Tyne tend to sit with artists, venue operators, media buyers and business clients rather than a single enterprise procurement team. Work is usually bought as discrete studio sessions, production projects, rights support, rehearsal access or live-sound cover, with repeat relationships built around release cycles and local performance calendars. The commercial pattern is therefore closer to a portfolio of small retainers, bookings and specialist commissions than to large outsourced service contracts. Owner-operated studios and small production teams are a natural fit where technical capability, availability and trusted local networks matter more than formal scale.
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Newcastle upon Tyne has 73 actively trading music companies, making the local market a compact cluster rather than a broad regional supply base. Reported employment totals 63 people, which points to a sector weighted towards owner-managed studios, production services and specialist audio support rather than sizeable employers. Commercial capacity is therefore likely to sit partly outside permanent payroll, through freelance engineers, session musicians, room hire and venue-linked project teams. For buyers, that can make availability, turnaround and rights paperwork as important as headline technical capability.
Recording and music-support work is governed mainly by contract and rights discipline rather than by a sector regulator. Studios, producers and publishers need clear ownership terms for masters, compositions and session work, while venue-facing suppliers must manage permissions, insurance expectations and local licensing conditions. The business risk is practical: disputed rights can delay releases, and unclear buy-out terms can make reuse in advertising, games or corporate media harder to price. For researchers, the market structure is therefore less about formal authorisation and more about how small providers document usage, payment and onward exploitation.
Commercial development appears likely to be incremental. The cohort is weighted towards micro and small operators, so capacity tends to expand through freelance collaboration, shared rooms and repeat client work rather than payroll build-out. Demand should continue to come from artists, venues, media buyers and business clients that need local production support, but pricing power may remain constrained where services are easily substituted. The more defensible operators are likely to be those with repeat rights-administration work, embedded venue relationships or specialist audio skills that travel beyond the immediate metropolitan market.
73
Active firms
2026
22
New incorporations
since 2022
0
Above £5M
in annual revenue
Key facts
30% of the cohort was incorporated since 2022 (22 firms), so a sizeable share is in its first few filing cycles.
Newcastle upon Tyne music suppliers sit around production, recording, publishing and related commercial audio services.
Typical buyers include artists, agencies, venues and media producers seeking project-based audio work rather than permanent in-house capacity.
Rights-related work matters because recorded music and publishing revenues depend on ownership, licensing and royalty administration.
Top Newcastle upon Tyne Music companies
CODENAME MUSIC LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsOperates an independent record label and music publishing company. Works with recording artists to release and promote music, manage publishing rights, and distribute recordings and merchandise…
Serves independent music artists aligned with its roster, plus consumers and music fans buying artist merchandise online.
Financial Health
HealthyHealthy · 0% CAGR over 2y
Location
GU LICENSING LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
Dave Durie Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
SISTER SOUNDS LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed
Location
DDMUSIC LTD
Trajectory
1y · 2024–NowFinancial Health
Insufficient historyInsufficient history
Location
Interval Records Limited
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
Wipe Out Holdings Ltd
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
StableStable
Location
Me Me Me Recordings Limited
Trajectory
5y · 2019–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
Mercurius Music Ltd
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
StableStable · 0% CAGR over 3y
Location
STUDIO 9 MUSIC LTD
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
WeakWeak · 0% CAGR over 3y
Location
SPLIT-TRACK AUDIO LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · -69% CAGR over 4y
Location
NOTION MUSIC RECORDINGS LTD
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
WeakWeak · Hiring · 14% CAGR over 3y
Location
SoundProof Audio Ltd
Trajectory
1y · 2024–NowFinancial Health
Insufficient historyInsufficient history
Location
Audio4Visual Ltd
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -16% CAGR over 4y
Location
NRTHRN BABY RECORDS LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Hiring · 19% CAGR over 4y
Location
GLOBAL UNDERGROUND LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · -68% CAGR over 4y
Location
Generator North East Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsSupports music and creative industry development through training programmes, artist development initiatives, business support and events. Runs partnerships and community projects that help…
Serves artists, creative entrepreneurs, music industry professionals, cultural organisations and community projects across the North of England, alongside partners and funders in the creative economy.
Financial Health
StrongStrong · Growing, Hiring · 14% CAGR over 5y
Location
Quani Sound Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
AAC ENTERPRISE LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
StableStable
Location
PROPER MINT CONCERTS LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · 0% CAGR over 2y
Location
PACEWELL ENTERTAINMENT LTD
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
Aux Buttes Chaumont Limited
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
StrongStrong
Location
SCRAPPER REED PRODUCTIONS LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy · 0% CAGR over 2y
Location
Sound For Films Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · 0% CAGR over 2y
Location
MAWSON & WAREHAM (MUSIC) LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
Sing And Play With Piccolo Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy · -13% CAGR over 2y
Location
AMS Publishing Ltd
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong
Location
Overall Studios Limited
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
HealthyHealthy · 0% CAGR over 1y
Location
Northeast Productions Ltd
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
StableStable · 0% CAGR over 1y
Location
ALBION ENTERTAINMENT LIMITED
Trajectory
3y · 2022–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed
Location
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
METAL NATION LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed
Location
First Class Production Audio Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
GHOSTWRITER CONSULTANCY & EVENTS LTD
Trajectory
2y · 2023–NowFinancial sub-scores
Computed from 2 filingsProvides consultancy and operational support to live music venues and events. Offers venue partnership services including programming, marketing, safety and financial systems, and operates a…
Serves B2B clients in the UK live music and events sector, including venue operators, event organisers, promoters, brands and project owners needing venue partnerships, consultancy or event promotion…
Financial Health
WeakWeak · 0% CAGR over 1y
Location
Michele De Martino Ltd
Trajectory
3y · 2022–NowFinancial sub-scores
Computed from 3 filingsProduces and releases experimental music and audio‑visual art projects, including concept albums using field recordings, photography and video. Distributes recordings and related merchandise such as…
Sells to consumers, specifically independent music listeners, collectors, and supporters who buy digital downloads, CDs, vinyl, books, and artist subscriptions via Bandcamp.
Financial Health
WeakWeak · Hiring · 15% CAGR over 2y
Location
DOMMUS CATTUS LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · 0% CAGR over 2y
Location
Jack Oddie Voiceover Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
KITSCH & DISCO LIMITED
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
CREATING MONSTERS LIMITED
Trajectory
5y · 2020–NowFinancial Health
Insufficient historyInsufficient history
Location
THE GARAGE STUDIOS (NE) LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
StableStable · -29% CAGR over 2y
Location
WIPE OUT MUSIC LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Hiring · 7% CAGR over 4y
Location
EXPLORE RIGHTS MANAGEMENT LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Growing · 0% CAGR over 4y
Location
4REALDIGITAL LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · -68% CAGR over 4y
Location
1 Day Data Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
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How Newcastle upon Tyne Music companies work and how to sell to them
What they do
Music businesses in Newcastle upon Tyne earn from time, access and rights rather than a single recurring licence. Recording rooms, rehearsal spaces and engineers are usually sold by the hour, day or project, while production, mixing and mastering work is priced as fixed-fee packages or staged commissions. Publishing, catalogue administration and synchronisation support can add percentage-based income where providers handle rights or placements. Live-sound and event support is more calendar-driven, with margins tied to crew availability, kit ownership and repeat venue relationships. Subscription revenue is possible for member access or retained support, but most income remains booking-led.
Who they sell to
Buyers are fragmented: independent artists, artist managers, small labels, venue operators, event organisers, agencies and business clients all appear in the addressable market. The decision-maker is often the founder, studio manager, producer, venue manager, head of content or marketing lead, with finance approval folded into the same conversation for smaller clients. Most work is won through direct relationships, referrals, listings and repeat bookings; formal RFPs tend to appear only where a public-sector, education or larger corporate buyer is commissioning production or event support. Sales cycles are usually short for sessions, and longer where rights, release plans or venue calendars need aligning.
What they buy
Most music firms tend to spend on tools and services that keep small teams organised and billable: booking calendars, CRM, invoicing, payments, accounting, contract storage, rights tracking and project management. Audio work also creates demand for cloud storage, backup, cyber security, file-transfer workflows, hardware maintenance, acoustic treatment, insurance and equipment finance. Where firms handle artists or catalogues, legal advice, royalty administration and copyright support matter more than generic business services. Outbound propositions are likelier to land when they reduce manual admin, improve room or crew utilisation, speed up payment collection, or make project files and usage permissions easier to trace.
Why and how to sell to them
Buying intent often follows a capacity or risk trigger rather than a planned procurement cycle. New rooms, extra rehearsal slots, a busier release calendar, a venue partnership, freelance hiring or a shift into media and corporate work can expose gaps in scheduling, contracts, storage, insurance and invoicing. Newer operators also need simple systems that do not assume a dedicated operations team. Sellers should frame outreach around lost billable hours, late payments, rights ambiguity and diary clashes, then offer a clear first step such as a project clean-up, booking audit or fixed-scope implementation. Cost certainty matters where buyers are mostly micro or small enterprises.
How this list is built
Data sources
This list is built from UK Companies House filings, XBRL accounts data, and semantic analysis of each company's public website. Revenue and headcount figures come from the most recent filed accounts; where the company has not filed, values are estimated using a model trained on filed history and peer benchmarks and are labelled as estimates.
Classification
Rather than relying solely on SIC codes, Firmbase classifies each company semantically: the company's website is crawled, an AI model reads what the company actually sells, and the company is placed into the relevant industry and subsectors. SIC codes are used as one signal but not the only one. This means a company that registered under a generic SIC code but pivoted into (for example) fintech is correctly identified as fintech, not as its original SIC category.
Freshness
The underlying company data is refreshed from Companies House continuously; filings appear in the list within days of submission. The curated list ordering is regenerated when the underlying data moves meaningfully (company count changes by more than 5%, a new company enters the top-ranked segment, or the filed-revenue numbers for the top firms change). You can see the last-updated timestamp near the top of the page.
Also in Newcastle upon Tyne
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Frequently asked questions
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