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Screen Production Companies in Aberdeen: 41 Active Firms (2026)
Screen production companies develop and produce film and television content for commissioners, with Aberdeen firms serving regional and UK shoots.
Commissioning sits mainly with broadcasters, distributors, agencies and public bodies, rather than direct-to-consumer buyers. Aberdeen-area producers tend to work around project budgets, with small permanent cores assembling freelance crews, post-production suppliers and location partners as each brief moves from development into delivery. The buying centre is usually editorial, marketing, communications or commissioning, and engagements are often single-production or series-specific rather than retained service contracts. Factual programming, regional stories, children’s content, animation and high-end TV can all fit the same operating pattern, though the route to funding and clearance varies by commissioner.
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Aberdeen has 41 actively trading screen production companies, making it a compact North East Scotland cohort rather than a broad production cluster. Reported employment stands at 39 people, so the visible footprint is concentrated in micro-businesses and small producer-led teams. That is consistent with a project market in which permanent payroll can look modest even where production capacity is larger, because crews, editors, animators and facilities are often assembled per commission. The local base therefore reads less like a volume studio market and more like a network of small suppliers able to join regional and UK shoots.
UK production is not generally licence-based, but fiscal support and broadcaster commissioning are rules-based. Audio-Visual Expenditure Credit applies across film, high-end TV, children’s TV and animation, with British certification handled through the cultural test or an official co-production route. Eligibility also turns on whether enough core costs relate to UK activity, which matters for Aberdeen producers using local crews, locations or post-production capacity. In television, Pact’s Terms of Trade framework shapes independent producer relationships with public-service broadcasters, while Ofcom regional-production quotas influence where qualifying work is made and how it is reported.
Aberdeen’s screen-production base appears likely to remain project-led, with capacity flexing through freelance crew networks rather than through large permanent payrolls. Younger producers tend to broaden into commercial factual, animation-adjacent work or public-sector commissions while waiting for broadcaster or distributor mandates. The main constraint is less creative supply than repeatable commissioning volume: firms can assemble teams for individual shoots, but only a narrower group tends to convert that into recurring slate work. Regional-production obligations and expenditure-credit rules may keep some demand local, though consolidation pressure is likely where overheads outrun confirmed commissions.
41
Active firms
2026
12
Incorporated since 2022
Aberdeen cohort
1
Above £5M
Reported turnover
Key facts
About 2% of the trading cohort reports turnover above £5M (1 of 41 firms) — the rest sits below that revenue band.
29% of the cohort was incorporated since 2022 (12 firms), so a sizeable share is in its first few filing cycles.
UK film and high-end TV production spend reached £5.6 billion in 2024, up 31% on 2023.
High-end TV accounted for £3.4 billion, or 62% of total spend, while feature film production contributed £2.1 billion, or 38%.
Inward investment and co-production films and high-end TV delivered £4.8 billion, or 86% of combined UK production spend in 2024.
Audio-Visual Expenditure Credit applies to expenditure incurred from 1 January 2024 on film, high-end TV, children’s TV and animation.
The Terms of Trade, the 25% independent production quota and Ofcom regional production quotas shape how public-service broadcasters commission independent producers.
Top Aberdeen Screen Production companies
FRIEL KEAN FILMS LIMITED
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsProduces factual television programming, including documentary series and entertainment formats for prime‑time broadcast. Develops and produces lifestyle, reality and documentary-style TV shows for…
Sells to television broadcasters and commissioning teams seeking prime-time factual, documentary and entertainment formats for mainstream audiences.
Financial Health
HealthyHealthy · Hiring · 4% CAGR over 4y
Location
SDGTV LTD
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
Studio 10 Productions Ltd
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed · 0% CAGR over 1y
Location
Cosmin Luparu Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed
Location
Jasmine Regmi Ltd
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
HealthyHealthy · 0% CAGR over 1y
Location
Bspoq Studios Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed
Location
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · -65% CAGR over 4y
Location
Every Angle Limited
Financial Health
Insufficient historyInsufficient history
Location
Belair Gardens Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Growing · 0% CAGR over 4y
Location
Contentli Limited
Trajectory
2y · 2023–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
StableStable · 0% CAGR over 1y
Location
Bonsai Productions Ltd
Trajectory
5y · 2022–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
B4BW LTD.
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
KEAN TELEVISION LIMITED
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
KINTRA MANAGEMENT CONSULTANTS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
Duff Company Productions Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
Standing Tree Productions Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
FINELINES GRAPHICS LTD
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
PAGE BREAK LTD.
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -78% CAGR over 4y
Location
Carney Heritage Productions Ltd.
Trajectory
5y · 2021–NowFinancial Health
Insufficient historyInsufficient history
Location
Rivercove Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
Mrs Meldrum Limited
Trajectory
5y · 2022–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
Cinecosse Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -10% CAGR over 4y
Location
Picturecell Media Ltd
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
HealthyHealthy · 0% CAGR over 1y
Location
Split Track Productions Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
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How Aberdeen Screen Production companies work and how to sell to them
What they do
Screen production companies earn from a mix of production fees, development work, rights participation and service-production income. Most work is priced to a production budget, with staged payments tied to treatment, shoot, edit and delivery milestones. Some corporate and public-sector work is nearer a fixed-fee services model, while broadcaster and distributor projects may involve deficit financing, co-production money or downstream rights. The sellable asset is usually a completed programme, film, animation, factual series or branded video, but the operating company is often a coordination layer: securing finance, talent, locations, compliance, crew and post-production capacity for each commission.
Who they sell to
Typical buyers are broadcasters, distributors, agencies, councils, universities, cultural bodies and larger commercial organisations that need filmed content rather than in-house production capacity. Decision-makers tend to sit in commissioning, editorial, marketing, communications, procurement or external affairs, with finance involved once rights, delivery risk or public money enter the brief. Smaller agency and public-sector assignments may close through direct relationships or procurement portals, while broadcaster and distributor work tends to move through pitch rounds, development conversations, production bibles and formal contracting. Contract values vary by format and rights position, so most suppliers qualify opportunities by budget certainty, commissioner credibility and delivery timetable.
What they buy
Most screen production firms tend to spend on tools and services that keep a temporary production machine under control. Relevant categories include project accounting, production scheduling, freelancer onboarding, payroll, contract management, insurance advice, rights clearance, legal support, data storage, cyber security, file transfer, transcription, subtitling, analytics and CRM. They also buy recruitment help for producers, editors and production managers, plus kit hire, studio space, location services, travel support and post-production capacity. Finance and operations products usually need to handle job-level cost tracking, variable crew costs and evidence trails for commissioners, funders and tax-credit claims.
Why and how to sell to them
Screen production buyers tend to evaluate suppliers when a commission is awarded, a development slate grows, a producer joins, a funding route changes, or a project moves into a format with tighter delivery and clearance requirements. Pain points are usually cash timing, crew administration, rights paperwork, version control, budget drift and the need to prove eligibility for regional or UK production treatment. Outbound works better when it refers to the production cycle rather than generic growth language: cost control before shoot, secure rushes and edit workflows during production, and audit-ready reporting at delivery. Short pilots or project-scoped proposals usually fit how these firms buy.
How this list is built
Data sources
This list is built from UK Companies House filings, XBRL accounts data, and semantic analysis of each company's public website. Revenue and headcount figures come from the most recent filed accounts; where the company has not filed, values are estimated using a model trained on filed history and peer benchmarks and are labelled as estimates.
Classification
Rather than relying solely on SIC codes, Firmbase classifies each company semantically: the company's website is crawled, an AI model reads what the company actually sells, and the company is placed into the relevant industry and subsectors. SIC codes are used as one signal but not the only one. This means a company that registered under a generic SIC code but pivoted into (for example) fintech is correctly identified as fintech, not as its original SIC category.
Freshness
The underlying company data is refreshed from Companies House continuously; filings appear in the list within days of submission. The curated list ordering is regenerated when the underlying data moves meaningfully (company count changes by more than 5%, a new company enters the top-ranked segment, or the filed-revenue numbers for the top firms change). You can see the last-updated timestamp near the top of the page.
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Frequently asked questions
How many screen production companies are there in Aberdeen?
What counts as a screen production company in this list?
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What do screen production companies in Aberdeen actually do?
How does Aberdeen screen production compare internationally?
How is this list built and how fresh is the data?
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