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Film & TV Companies in Newcastle upon Tyne: 197 Active Firms (2026)
Film and TV production companies develop and shoot screen content for commissioners, brands and distributors across Newcastle upon Tyne.
Buying centres tend to split between broadcaster and streamer commissioning teams, agency or corporate marketing buyers, and regional production partners that need local crew, locations and production management. Sales cycles are usually relationship-led rather than platform-led, with producers packaging treatments, budgets and delivery plans around a specific brief. Most engagements look like discrete projects rather than retained services: development work may be speculative or lightly funded, while production contracts expand once finance, access and crew are in place. The typical Newcastle upon Tyne supplier is therefore a lean independent operation, comfortable moving between factual, scripted, commercial and service-production work without carrying a large permanent payroll.
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Newcastle upon Tyne has 197 actively trading film and TV production companies, a local cohort that looks more like a project-production base than a turnover-led scale-up cluster. Reported employment is modest at 161 people, with permanent teams often acting as development, production-management and client-handling cores. The commercial profile fits independent production work: companies keep fixed payroll light, then add freelance crew, location support and post-production capacity when a commission moves from development into delivery.
Access to fiscal support is rules-based rather than licence-based. GOV.UK frames Audio-Visual Expenditure Credit around film, high-end TV, children’s TV and animation expenditure, with British certification handled by the BFI through cultural test or treaty co-production routes. Production companies also need to manage UK core-cost eligibility, rights ownership and delivery obligations inside commissioner contracts. Pact’s Terms of Trade sit behind how UK public service broadcasters commission independent producers, while Ofcom’s regional production quotas shape where some broadcaster-funded work is made. For Newcastle suppliers, that makes compliance less about operating permission and more about evidence, contracting and audit trails.
A production base weighted toward small independents tends to be shaped by commissioner demand, repeat crew relationships and access to certification-linked fiscal support. Scale-up scarcity appears likely to keep many Newcastle upon Tyne suppliers project-led, with freelancers carrying surge capacity when commissions land. Regional production policy may keep some work anchored outside the main commissioning centres, but buyers are also asking for tighter budgeting, rights clarity and delivery discipline. Consolidation could happen at the margins; the more common path appears to be specialist producers adding development, service-production or corporate work around a lean core.
197
Active firms
2026
54
Incorporated since 2022
newer local entrants
0
Over £5M turnover
in Newcastle upon Tyne
Key facts
27% of the cohort was incorporated since 2022 (54 firms), so a sizeable share is in its first few filing cycles.
UK film and high-end TV production spend reached £5.6 billion in 2024, with high-end TV at £3.4 billion and feature film at £2.1 billion.
Inward investment and co-production films and high-end TV delivered £4.8 billion, or 86% of combined UK production spend in 2024.
Audio-Visual Expenditure Credit applies to expenditure incurred from 1 January 2024, with rates of 34% for most films and TV programmes, 39% for children’s TV and animation, and 53% for qualifying independent films.
The Terms of Trade, the 25% independent production quota and Media Act 2024 changes shape how UK public service broadcasters commission independent productions.
Ofcom sets regional production quotas for public service broadcasters, making location part of commissioning compliance as well as production logistics.
Top Newcastle upon Tyne Film & TV companies
HONEYBIRD STUDIOS LIMITED
Trajectory
2y · 2024–NowFinancial Health
Insufficient historyInsufficient history
Location
BEING THERE LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
HEY JUDE CREATIVE LTD
Trajectory
2y · 2025–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
HealthyHealthy · 0% CAGR over 1y
Location
4MEDIAS LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · -65% CAGR over 4y
Location
TD MULTIMEDIA LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy · 0% CAGR over 2y
Location
CLOAK PRODUCTIONS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
PRIBRO INTERNATIONAL LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
FIRESTONE VIDEO LTD
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
Transnational Films Ltd
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
PLANET NORTH LIMITED
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
MEERKAT FILM PRODUCTIONS LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
StableStable · -92% CAGR over 2y
Location
TIKU THE FILM LTD
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
THE PERSIAN SPIRIT COMPANY LTD
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
SHUDDER FILMS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong
Location
CLOSE GRIPS LIMITED
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Growing · 0% CAGR over 5y
Location
Kema Kay Limited
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
WeakWeak · 0% CAGR over 2y
Location
CØH VISUALS LIMITED
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
WeakWeak · 0% CAGR over 1y
Location
Dejavu Video Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
Clockwork Dreams Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · Growing · 0% CAGR over 5y
Location
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsProvides film and media production services, producing television commercials, advertising content, documentaries, series and print campaign materials, offering production management and coordination…
Serves B2B clients such as brands, advertising agencies and media companies commissioning TV commercials, documentaries, series, commercial and print production projects.
Financial Health
StableStable · 1% CAGR over 5y
Location
CTA PRODUCTIONS LIMITED
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
Geordie Grips Limited
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
SHAKIRUL ALAM PICTURES LIMITED
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
MOVERE OPUS PICTURES LIMITED
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed
Location
Jackdaw Media Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
MANGO STUDIO PRODUCTIONS LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Growing · 0% CAGR over 4y
Location
FIRST AV LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · Growing · 0% CAGR over 4y
Location
BAMBOO MEDIA PRODUCTIONS LIMITED
Trajectory
5y · 2022–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 3y
Location
PINBALL FILMS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -65% CAGR over 4y
Location
Seventhree Productions Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
Davison Media Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 2y
Location
TWENTYSIX PRODUCTIONS LTD
Trajectory
3y · 2022–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy · 0% CAGR over 2y
Location
Boom Creative Consultants Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProvides creative consultancy and media production services, including promotional video production, filming, aerial photography, CGI visuals and photography for marketing campaigns, property…
Serves businesses and organisations, including established brands, manufacturers, property developers, schools, interiors firms and retail/fashion companies.
Financial Health
StableStable · 0% CAGR over 4y
Location
ARCUS IMMERSIVE LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
Alpha Communication Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -16% CAGR over 4y
Location
GOLDFINCH BIRDBOX LLP
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProduces film and television content and provides media financing and investment services. Develops, funds and manages entertainment projects and ventures across the screen media industry.
Financial Health
DistressedDistressed · -68% CAGR over 4y
Location
SUPERKRUSH FILMS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProduces corporate videos, animation, television commercials and online video content for organisations. Provides film production, post‑production, project management and strategic planning services…
Serves organisations in education, manufacturing, health and life sciences, the public sector and professional services, primarily around Newcastle, the North East and beyond.
Financial Health
StableStable · -4% CAGR over 4y
Location
TONY COOK LIGHTING FOR FILM & TELEVISION LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · -68% CAGR over 4y
Location
Twenty Six 03 Entertainment Limited
Trajectory
3y · 2022–NowFinancial sub-scores
Computed from 3 filingsProduces television entertainment and factual programming for broadcasters and streaming platforms. Develops and commissions original TV series and formats, and manages production of shows featuring…
Serves TV broadcasters, streaming platforms and entertainment commissioners targeting mainstream UK and international audiences.
Financial Health
WeakWeak · -45% CAGR over 2y
Location
GINGER PICTURES LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
SQUARE PEG JOINERY LTD
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
Goldfinch Finance Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 1y
Location
GOAT GIRL SERIES 1 LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed
Location
CHRIS BOGLE FILMS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
Gallowgate 82 Media Limited
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
StableStable · 0% CAGR over 3y
Location
Bernard Sparkes Ltd
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed
Location
FILMNOVA LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProduces live sports broadcasts, factual documentaries and branded video content. Provides host broadcasting and television production for sporting events, and develops original factual and sports…
Serves broadcasters, sports rights holders and brands commissioning live sports coverage, factual documentaries, originals and branded content, primarily in the UK media and entertainment sector.
Financial Health
DistressedDistressed · -67% CAGR over 4y
Location
WORD OUT MEDIA LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · Growing · 0% CAGR over 4y
Location
A4m Films Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
FLINT TELEVISION LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -68% CAGR over 4y
Location
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How Newcastle upon Tyne Film & TV companies work and how to sell to them
What they do
Newcastle upon Tyne film and TV producers earn mainly from commissioned projects, production-management fees, development agreements, rights income and service-production work for shoots based in or around the region. Corporate work is usually priced as a fixed project fee against a defined brief, while broadcaster and streamer work tends to sit inside a budget agreed with a commissioner, financier or distribution partner. Margins depend on how well producers control freelance labour, locations, kit hire, post-production and contingency. Some firms build value through intellectual property and repeatable formats, but many operate as cash-flow businesses, with income arriving around greenlights, milestones and delivery rather than monthly subscriptions.
Who they sell to
Typical buyers include editorial commissioners, production executives, agency producers, marketing directors, communications teams, distributors and other production companies needing local delivery capacity. Public-sector and corporate video work may go through procurement portals, preferred-supplier lists or agency frameworks; television and film work is more often relationship-led, with treatments, showreels, budgets and access to talent carrying weight. Contract size and cycle length vary by genre and finance model. A short commercial brief may move quickly if budget and approvals are clear, while factual, scripted and funded development can involve a longer path through optioning, budgeting, compliance checks and commissioner sign-off.
What they buy
Most Newcastle film and TV firms tend to spend on tools and services that reduce friction across short, crew-heavy projects. Relevant categories include production accounting, budgeting, scheduling, project management, payroll, freelancer onboarding, document storage, rights management, secure file transfer, cyber security, insurance, legal clearance, health and safety support, accountancy and tax-credit advisory work. They also buy practical production capacity: studio space, locations support, camera and lighting kit, sound, editing, grading, visual effects, music supervision and delivery services. Sellers should expect budget sensitivity, because many purchases are tied to a specific commission rather than an annual department budget.
Why and how to sell to them
Buying triggers usually appear when a project moves from development into funded production, when a slate starts to outgrow manual tracking, or when a producer needs cleaner evidence for certification, audit, insurance or commissioner delivery. Younger independents may also buy when they formalise finance, payroll, rights and document workflows after relying on ad hoc spreadsheets and freelance networks. Outbound messaging tends to work better when it speaks to margin protection, faster crew setup, fewer delivery risks and clearer audit trails. Generic claims about creative quality are less useful; producers already sell that to commissioners and need suppliers who help keep the production machine under control.
How this list is built
Data sources
This list is built from UK Companies House filings, XBRL accounts data, and semantic analysis of each company's public website. Revenue and headcount figures come from the most recent filed accounts; where the company has not filed, values are estimated using a model trained on filed history and peer benchmarks and are labelled as estimates.
Classification
Rather than relying solely on SIC codes, Firmbase classifies each company semantically: the company's website is crawled, an AI model reads what the company actually sells, and the company is placed into the relevant industry and subsectors. SIC codes are used as one signal but not the only one. This means a company that registered under a generic SIC code but pivoted into (for example) fintech is correctly identified as fintech, not as its original SIC category.
Freshness
The underlying company data is refreshed from Companies House continuously; filings appear in the list within days of submission. The curated list ordering is regenerated when the underlying data moves meaningfully (company count changes by more than 5%, a new company enters the top-ranked segment, or the filed-revenue numbers for the top firms change). You can see the last-updated timestamp near the top of the page.
Also in Newcastle upon Tyne
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Frequently asked questions
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