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Film & TV Companies in Liverpool: 245 Active Firms (2026)
Film and TV companies in and around Liverpool develop, finance and produce screen content for UK and international commissioners.
Buying centres in Liverpool usually sit with commissioning editors, production finance teams, agency producers and line producers looking for local delivery capacity. The work is mainly B2B and project-led: development, production management, crew sourcing, location access, post-production coordination and paperwork around qualifying UK expenditure. Buyers range from broadcasters and streaming commissioners to agencies and overseas partners using North West locations. Engagements tend to be one-off commissions, repeatable service packages or co-production roles rather than long software-style contracts, with lean core teams drawing on freelancers as work is greenlit.
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Liverpool has 245 actively trading Film and TV production companies, making this a relatively compact metropolitan production base rather than a broad national sample. The reported employment footprint is 112 people, which fits the project-led model: permanent teams are small, while capacity often sits with freelance crews, specialist facilities and short-run production partnerships. The absence of turnover above £5M points to a market weighted towards independents and service providers rather than higher-revenue production groups, although those smaller firms can still participate in commissioned work where finance, locations and tax-credit administration are handled through production-specific structures.
Access to UK fiscal support is rule-based rather than licence-based. Productions seeking Audio-Visual Expenditure Credit need British certification through the cultural test or an official co-production treaty route, and must connect core production costs to UK activity. For commissioned television, Terms of Trade shape the relationship between public service broadcasters and independent producers, including ownership and exploitation of rights after commissioning. Ofcom also uses regional production quotas, which matters for Liverpool suppliers because location, spend and production-team decisions can carry commissioning value beyond the creative brief.
Newer local entrants appear more common than mature scale-ups, so the Liverpool market is likely to stay skewed towards lean producers, production-service specialists and companies built around repeat commissioner relationships. The firms that endure tend to manage finance, certification paperwork and crew networks as carefully as development slates. Consolidation may come through partnerships with larger regional groups, but the more immediate pattern is probably selective survival: smaller companies attaching themselves to funded projects, using North West locations, and keeping fixed overheads low between commissions.
245
Active firms
2026
70
Recent incorporations
since 2022
£5.6 billion
UK production spend
film and high-end TV, 2024
Key facts
28% of the cohort was incorporated since 2022 (70 firms), so a sizeable share is in its first few filing cycles.
Audio-Visual Expenditure Credit applies to qualifying expenditure incurred from 1 January 2024 on film, high-end TV, children’s TV and animation.
Productions must be certified as British through the BFI cultural test or an official co-production treaty route, with at least 10% of core costs related to UK activities.
GOV.UK lists credit rates of 34% for most films and TV programmes, 39% for children’s TV and animation, and 53% for qualifying independent films.
Ofcom sets regional production quotas for public service broadcasters, keeping commissioning geography within the regulatory frame.
In 2024, inward investment and co-production films and high-end TV delivered £4.8 billion, or 86% of combined UK production spend.
Top Liverpool Film & TV companies
LA PRODUCTIONS-REG KEYS LIMITED
Trajectory
5y · 2020–NowProduces drama and factual film and television programmes for broadcast, including scripted series and documentaries. Develops creative projects, accepts script submissions from writers, and produces…
Serves television broadcasters, commissioners and media platforms seeking drama, factual and film content, alongside writers submitting scripts and production partners for co-productions.
Financial Health
Insufficient historyInsufficient history
Location
SJD FILM PRODUCTIONS LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
WeakWeak · 0% CAGR over 1y
Location
Produces television and digital media content including entertainment events, documentaries, reality formats and drama. Develops multi-genre programming and intellectual property for broadcasters,…
Serves broadcasters, media clients, luxury international brands, and high-profile public figures seeking entertainment, documentary, reality, drama, and digital content production.
Location
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Growing · 0% CAGR over 4y
Location
Ffab Productions Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
Nothing But Footprints Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
AENON LIMITED
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · -60% CAGR over 5y
Location
TAKEN FOR GRANT'ED CONSULTANCY LTD
Trajectory
3y · 2023–NowFinancial Health
Insufficient historyInsufficient history
Location
JERALD PRODUCTIONS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -68% CAGR over 4y
Location
ROXY MEDIA LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · -54% CAGR over 4y
Location
MEDIASAT TV LTD
Trajectory
3y · 2022–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
StrongStrong
Location
Culture City Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
Mallyadjusted Design Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
Three Point Three Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Hiring · 19% CAGR over 4y
Location
GEORGIA GOGGIN LIMITED
Trajectory
3y · 2024–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · -95% CAGR over 1y
Location
Difference Matters Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · -16% CAGR over 4y
Location
LEONARDO MEDIA SERVICES LTD
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
WeakWeak · 0% CAGR over 1y
Location
WILDRAFF PRODUCTIONS LTD
Trajectory
2y · 2023–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
StableStable
Location
LIDIAVMERA LIMITED
Trajectory
1y · 2024–NowFinancial Health
Insufficient historyInsufficient history
Location
E16 SPILLERS CO LTD
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
Juju VFX Ltd
Trajectory
3y · 2022–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
StrongStrong
Location
Ce N'est Pas Une Pipe Ltd
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · 0% CAGR over 2y
Location
Clare Griffiths Television and Film Services Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
GEMMA NOLAN LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
Autumn Films Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
LA PRODUCTIONS - SAINT NICK'S LIMITED
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
DUSTY SLIDER LIMITED
Trajectory
3y · 2023–NowFinancial Health
Insufficient historyInsufficient history
Location
Glasshouse Productions Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
Brightmoon Media Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
Beaslon Ltd
Trajectory
5y · 2022–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
Jack Jones Trust
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
RAINCATCHER MPP LIMITED
Trajectory
2y · 2025–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed · -58% CAGR over 1y
Location
LIFEHACK PRODUCTIONS LTD
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed · -69% CAGR over 1y
Location
LIONFISH FILMS UK LTD
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
DEE CREATIVE LIMITED
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
WeakWeak · 0% CAGR over 1y
Location
FEATURISTIC FILMS LIMITED
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · -85% CAGR over 4y
Location
CANNING SQUARE FILMS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
THE EXTRAORDINARY CLUB LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
Podcast Studios Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy · Hiring · 41% CAGR over 2y
Location
TOMFOOLERY PICTURES LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · -68% CAGR over 4y
Location
Cinetecture Ltd
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
HealthyHealthy
Location
Papertwin Weddings Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
A.H Cameras Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · 0% CAGR over 2y
Location
POLYPHONICA LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
Got It Creative Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong
Location
CRD Streaming Limited
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
StableStable · 0% CAGR over 1y
Location
STILLS AND MOTION LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
MJ AUDIO Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
LA PRODUCTIONS - ANTHONY LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
THE SMITHS - BELOW THE BELT LTD
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
StableStable · 0% CAGR over 1y
Location
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How Liverpool Film & TV companies work and how to sell to them
What they do
Liverpool film and television companies earn revenue by turning commissioned ideas, local production services and production management into paid projects. Income usually comes through development fees, production fees, service charges, cost-plus production management, day-rate crew coordination and, for some producers, retained rights or back-end participation. Pricing is tied to format, schedule and risk: a short commercial or factual segment may be handled as a defined service package, while scripted or high-end television work tends to involve staged payments, drawdowns against a production budget and close control of qualifying UK spend. Cashflow matters because costs often arrive before commissioner payments or fiscal support receipts.
Who they sell to
Most sell to commissioning teams rather than broad corporate departments. Typical buyers include broadcasters, streaming commissioners, agency producers, overseas production partners and production finance teams needing Liverpool or North West delivery capacity. The practical decision-makers are often commissioning editors, heads of production, line producers, business affairs teams and agency account leads, with finance and legal teams joining once a project is greenlit. Sales is usually relationship-led: pitch meetings, producer networks, previous credits, location knowledge and direct referrals carry more weight than self-serve buying. Commercial cycles are short for service work and commercials, but longer where development, rights, finance plans and certification are involved.
What they buy
Most Liverpool Film and TV firms tend to spend on tools and services that reduce production risk rather than general office expansion. Common categories include production accounting, budgeting and scheduling software, payroll for freelance crews, contract management, rights clearance, insurance, legal advice, audit and tax-credit support. They also buy cloud storage, file-transfer infrastructure, cyber security, editing and post-production services, kit hire, location logistics, travel management and health and safety support. Sales and marketing spend is usually narrower: pitch materials, showreels, trade attendance, PR around commissions and lightweight CRM for commissioner and partner relationships. Recruitment providers can fit when a slate moves from development into delivery.
Why and how to sell to them
Film and TV buyers tend to evaluate vendors when a project is greenlit, a commissioner asks for tighter reporting, a production finance process becomes stretched, or certification and expenditure paperwork starts to absorb producer time. The 70 Liverpool companies incorporated since 2022 are plausible targets for basic finance, compliance, supplier and production-management infrastructure, while more established independents may respond to offers that reduce late delivery, audit risk or freelancer administration. Outbound works better when it is tied to a production trigger: new slate activity, regional production demand, crew hiring, post-production bottlenecks, insurance renewal, or a shift from occasional service work to repeat commissions.
How this list is built
Data sources
This list is built from UK Companies House filings, XBRL accounts data, and semantic analysis of each company's public website. Revenue and headcount figures come from the most recent filed accounts; where the company has not filed, values are estimated using a model trained on filed history and peer benchmarks and are labelled as estimates.
Classification
Rather than relying solely on SIC codes, Firmbase classifies each company semantically: the company's website is crawled, an AI model reads what the company actually sells, and the company is placed into the relevant industry and subsectors. SIC codes are used as one signal but not the only one. This means a company that registered under a generic SIC code but pivoted into (for example) fintech is correctly identified as fintech, not as its original SIC category.
Freshness
The underlying company data is refreshed from Companies House continuously; filings appear in the list within days of submission. The curated list ordering is regenerated when the underlying data moves meaningfully (company count changes by more than 5%, a new company enters the top-ranked segment, or the filed-revenue numbers for the top firms change). You can see the last-updated timestamp near the top of the page.
Also in Liverpool
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Frequently asked questions
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