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Film & TV Companies in Portsmouth: 193 Active Firms (2026)
Film and TV companies in Portsmouth develop, finance and produce screen content for broadcasters, streaming platforms and distributors across the UK.
Buying centres tend to sit with commissioning editors, platform content teams, distributors, agency-side marketing leads and co-production partners, rather than a central procurement function. The commercial rhythm is project-led: development, production management, post-production coordination and delivery are bought around a brief, slate or commission. Most suitable suppliers look like micro or small production houses, with a lean permanent team and a wider freelance bench for creative, technical and post-production work. The customer base is mixed, spanning broadcaster work, commercial screen content, factual and scripted commissions, children’s programming and animation, with engagements often won through relationships, credits and treatment quality.
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Portsmouth has 193 actively trading film and TV companies, a small local cohort within a national production economy that remains highly project-based. Reported employment totals 105 people, which fits the lean permanent-headcount model common in screen production, where freelance crew and specialist post-production capacity sit outside many company payrolls. Recent formation is visible too: 53 firms were incorporated since 2022, so a sizeable part of the Portsmouth base is still young by production-company standards. The cohort remains weighted towards micro-producers, independents and service-led production businesses rather than studio-style groups.
Production companies do not usually need a sector licence simply to develop and produce screen work, but fiscal support, tax treatment and commissioning rights are more rule-bound. Guidance on gov.uk frames Audio-Visual Expenditure Credit around qualifying expenditure, while BFI certification determines whether a production is treated as British through the cultural test or an official co-production route. The UK-activity test matters for local producers using national or overseas partners. Public-service TV commissioning also sits within Terms of Trade arrangements, with Pact involved in the independent-production framework and Ofcom setting regional production quotas.
Commissioning demand in Portsmouth appears likely to stay fragmented, with small producers competing for briefs that combine local access, specialist storytelling and credible delivery teams. The cohort’s shape suggests more pressure on business development than on plant or physical capacity: permanent teams tend to stay lean, then expand around funded productions. Tax-credit administration and broadcaster terms may favour producers that can document spend, rights ownership and delivery obligations cleanly. Scale-up scarcity also points to partnerships, subcontracting and occasional consolidation as more likely routes than a broad shift towards large local production groups.
193
Active firms
2026
53
Incorporated since 2022
Portsmouth cohort
0
Above £5M
reported turnover threshold
Key facts
27% of the cohort was incorporated since 2022 (53 firms), so a sizeable share is in its first few filing cycles.
Audio-Visual Expenditure Credit applies to expenditure incurred from 1 January 2024 on film, high-end TV, children’s TV and animation.
Credit rates are 34% for most films and TV programmes, 39% for children’s TV and animation, and 53% for qualifying independent films, with the independent-film rate subject to a cap on eligible core costs.
UK film and high-end TV production spend was £5.6 billion in 2024, up 31% on 2023; high-end TV accounted for £3.4 billion and feature film for £2.1 billion.
Inward investment and co-production films and HETV delivered £4.8 billion, or 86% of combined UK production spend in 2024.
For TV commissioning, the Terms of Trade regulate how UK public service broadcasters commission independent productions, alongside the 25% independent production quota and Ofcom regional production quotas.
Top Portsmouth Film & TV companies
Incendo Digital Ltd
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsDevelops, produces and distributes television movies and series. Manages development, financing, production and international sales of scripted TV films and programming, supplying content to…
Serves B2B entertainment customers, including broadcasters, streaming platforms and international TV content buyers seeking film and series titles, plus industry professionals requesting screeners…
Financial Health
StrongStrong · Growing · 0% CAGR over 5y
Location
SUNRAY PRODUCTIONS LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
GOLDEN WOLF LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProduces animated and mixed‑media content for advertising, entertainment, and branded campaigns. Works across 2D and 3D animation to create commercials, digital content, and immersive visual…
Serves brands, advertising and marketing teams, agencies, and entertainment/IP owners commissioning commercial and branded campaigns, immersive experiences, and entertainment-led projects for global…
Financial Health
WeakWeak · -65% CAGR over 4y
Location
Wavelength Lighting Limited
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy · 0% CAGR over 2y
Location
Rob Shears Lighting Ltd
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
HealthyHealthy · 0% CAGR over 3y
Location
Callsign Studios Ltd
Trajectory
3y · 2024–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy · 0% CAGR over 2y
Location
1803 Films Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
Dirty Dog Audio Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
Birdcage Movie Ltd
Trajectory
4y · 2021–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
WeakWeak
Location
Bigger Boat Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
FINGERFEET PRODUCTIONS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · -62% CAGR over 4y
Location
Kabuki Productions Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Growing, Hiring · 19% CAGR over 4y
Location
OCEANSTORM FILMS (UK) LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
Zomb-Jj Production Ltd
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed
Location
Wither Yew limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
DPX Films Ltd
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
BLACK ANCHOR STUDIOS LIMITED
Trajectory
4y · 2022–NowFinancial Health
Insufficient historyInsufficient history
Location
JOWA ENTERPRISES LTD
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
StrongStrong
Location
Kliment Paskalev Ltd
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed
Location
Patrick Marks Media Limited
Trajectory
4y · 2021–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
DistressedDistressed · 0% CAGR over 3y
Location
UNHINGED PRODUCTIONS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
James Sheehy Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -16% CAGR over 4y
Location
Otter Labs Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
WeakWeak · Hiring · 41% CAGR over 2y
Location
KAIJU CREATIVE LIMITED
Trajectory
3y · 2024–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · -90% CAGR over 2y
Location
LLC23 LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · 0% CAGR over 2y
Location
Cave Academy Online Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong
Location
Wowmedia Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProduces CGI 3D animation, visual effects, and video content for events, exhibitions, broadcast, product demonstrations, music videos, and corporate communications. Operates as an independent studio…
Serves businesses, broadcasters, event and exhibition organisers, product marketers, corporate communications teams and music clients needing CGI animation, effects and video content.
Financial Health
StableStable · Hiring · 19% CAGR over 4y
Location
Tandem Ventures Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong
Location
ADRIAN GREENWOOD DESIGNS LIMITED
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
HealthyHealthy · 0% CAGR over 1y
Location
STRONG PICTURES LIMITED
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
WeakWeak
Location
All Things To All Men Limited
Trajectory
5y · 2018–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
Gemini Production Services Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · -10% CAGR over 4y
Location
GRANDAD PROPHIRE LTD
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
TINSLINGER LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy
Location
HEADS UP PRODUCTION LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsProvides production consultancy and management for brand marketing content, overseeing TV, online, social, print, radio and cinema campaigns. Works with brands and agencies to plan, budget and…
Serves B2B brand-side marketing, content and production teams, particularly larger consumer brands managing campaigns across TV, social, online, cinema, print, outdoor, music and radio.
Financial Health
StableStable · Hiring · 41% CAGR over 2y
Location
GEORGE JOYCE PRODUCTIONS LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
StrongStrong · Profitable, Growing · 0% CAGR over 2y
Location
Molly TV Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
KATI WHITAKER PRODUCTIONS LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
Span House Films Ltd
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
Apex Media Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
SAN-NZO LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
ABBEYFIELD FILMS LIMITED
Trajectory
5y · 2022–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 3y
Location
MARCUS BRENT-SMITH LTD
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 5y
Location
HEATH END PRODUCTIONS LTD
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
StrongStrong · Hiring · 100% CAGR over 1y
Location
Gorilla Press Productions Ltd
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed
Location
DARK VILLAGE LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
MILLSTREAM PRODUCTIONS LTD
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsProvides video production services including corporate and promotional films, social media videos, animation, documentaries, photography and podcast recording. Handles concept development, filming,…
Serves B2B, public-sector and third-sector clients, including charities, councils, education providers, healthcare organisations, manufacturers and retailers.
Financial Health
StrongStrong · Growing, Hiring · 34% CAGR over 4y
Location
SUMMIT FILMS LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · -62% CAGR over 4y
Location
OCT FILMS LTD
Trajectory
5y · 2019–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
MIRADA FILMS LTD
Trajectory
4y · 2023–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
StableStable · -78% CAGR over 3y
Location
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How Portsmouth Film & TV companies work and how to sell to them
What they do
Film and TV producers in Portsmouth usually earn through fixed-fee production contracts, development fees, production-management margins, service work and, in some cases, retained rights or back-end revenue from distribution. Commercial work is often priced as a scoped project with agreed deliverables, while broadcaster or platform commissions tend to separate development, production, post-production and delivery milestones. The product is not a repeatable licence; it is an assembled production capability, combining creative development, budgeting, crew coordination, locations, edit, clearance and delivery. Smaller firms may use freelance producers, directors, animators, editors and sound specialists to flex capacity without carrying permanent overhead between commissions.
Who they sell to
Most buyers are commissioning, marketing or distribution teams rather than procurement departments. Typical customers include public-service and commercial broadcasters, streaming content teams, agencies, charities, public bodies, education organisations and corporates that need screen content with editorial oversight. Decision makers can include commissioning editors, heads of content, marketing directors, producers, brand managers and finance leads signing off production risk. Smaller commercial projects may close through direct referral and treatment review; commissioned TV, children’s programming and co-production work usually takes longer, with budget scrutiny, rights negotiation and delivery requirements agreed before work starts. RFPs appear in public sector and agency-led work, but relationships and track record still matter.
What they buy
Portsmouth production companies tend to buy tools and services that reduce admin around short, deadline-led projects. Common spend areas include production accounting, budgeting, scheduling, call sheets, freelancer onboarding, payroll, expense control, document storage, asset review, rights management and secure media transfer. They also use legal advice for contracts and clearances, insurance broking, accountancy, tax-credit support, marketing, web work, specialist recruitment, kit hire, studio access, post-production services and cloud storage. Security and backup can matter more than headcount suggests, because rushes, edits, contributor releases and client material often sit across contractors, shared drives and post-production partners.
Why and how to sell to them
Buying intent often appears when a firm wins a commission, adds a new format, expands from commercial content into broadcast work, takes on a slate, or starts using the Audio-Visual Expenditure Credit. Other triggers include a new finance lead, a recurring production manager, more freelance crew, delayed client approvals, rights-delivery problems or pressure to evidence UK expenditure. Outreach works better when it speaks to production risk rather than generic productivity: fewer budget surprises, cleaner audit trails, faster approvals, safer file handling and less time reconciling contractor costs. Local sellers should expect short buying windows, because spend is commonly released once a brief or commission is live.
How this list is built
Data sources
This list is built from UK Companies House filings, XBRL accounts data, and semantic analysis of each company's public website. Revenue and headcount figures come from the most recent filed accounts; where the company has not filed, values are estimated using a model trained on filed history and peer benchmarks and are labelled as estimates.
Classification
Rather than relying solely on SIC codes, Firmbase classifies each company semantically: the company's website is crawled, an AI model reads what the company actually sells, and the company is placed into the relevant industry and subsectors. SIC codes are used as one signal but not the only one. This means a company that registered under a generic SIC code but pivoted into (for example) fintech is correctly identified as fintech, not as its original SIC category.
Freshness
The underlying company data is refreshed from Companies House continuously; filings appear in the list within days of submission. The curated list ordering is regenerated when the underlying data moves meaningfully (company count changes by more than 5%, a new company enters the top-ranked segment, or the filed-revenue numbers for the top firms change). You can see the last-updated timestamp near the top of the page.
Also in Portsmouth
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Frequently asked questions
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