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TV & Film Companies in Southampton: 212 Active Firms (2026)
TV and film production companies create commissioned screen content for broadcasters, platforms and studios in the Southampton area.
Commissioning budgets tend to sit with factual, children’s, animation, brand-content and public-service buyers, with producers moving between development work, shoot management, post-production coordination and delivery paperwork. The customer base is mixed: broadcasters and platforms for commissioned screen work, public bodies for service-led campaigns, and commercial clients for shorter-form content. Engagements are usually project-led rather than retainer-led, so credibility rests on credits, rights handling, production insurance, crew access and the ability to manage variable freelance teams without carrying a large permanent staff base.
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Southampton has 212 actively trading TV and film production companies in this list. Reported headcount totals around 200 people across the cohort, pointing to a market built around small permanent teams rather than fully staffed studio operations. No firm reports turnover above £5M, so the local base looks closer to a long tail of micro-producers, service-led production vehicles and specialist content shops than a revenue-ranked scale-up cluster. The practical buyer conversation is likely to centre on recent credits, commissioner access and production capacity, not balance-sheet depth.
Screen production is not generally licensed, but public money and fiscal credits depend on certification, eligible expenditure and the route used to qualify a production as British. The practical gatekeeping sits around cultural-test evidence, official co-production status, UK activity, audit trails and delivery paperwork. Public service broadcaster work has a separate market structure: independent producers negotiate within Terms of Trade, while Ofcom regional production quotas shape where some commissions are made and spent. For Southampton suppliers, compliance capability can matter as much as creative treatment when a project seeks fiscal support or broadcaster acceptance.
Southampton’s cohort appears likely to remain project-led, with growth tied to repeat commissioning, local crew networks and the ability to package work for national buyers. Scale-up scarcity suggests many firms will keep hybrid models, combining original development with corporate, education or service production between commissioned screen projects. Fiscal rules and broadcaster procurement tend to favour producers that can document spend, rights positions and delivery risk cleanly. Consolidation may be selective rather than broad, especially where post-production coordination, animation capability or factual specialisms can be shared without turning small producers into fixed-cost studios.
212
Active firms
2026
43
New incorporations
Since 2022
0
Above £5M
Reported turnover
Key facts
20% of the cohort was incorporated since 2022 (43 firms), so a sizeable share is in its first few filing cycles.
Audio-Visual Expenditure Credit applies to expenditure incurred from 1 January 2024 on film, high-end TV, children’s TV and animation.
Productions need British certification through the BFI and at least 10% of core costs related to UK activities to access fiscal support.
GOV.UK lists credit rates of 34% for most films and TV programmes, 39% for children’s TV and animation, and 53% for qualifying independent films.
Ofcom sets regional production quotas for public service broadcasters, while Pact identifies the Terms of Trade as governing how UK public service broadcasters commission independent productions.
BFI official statistics put UK film and high-end TV production spend at £5.6 billion in 2024, with high-end TV accounting for £3.4 billion and feature film for £2.1 billion.
Top Southampton TV & Film companies
Passion Pictures
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsProduces documentary films and television series for broadcasters and streaming platforms. Develops and produces feature documentaries and factual series covering subjects such as nature, culture,…
Serves broadcasters, streaming platforms and film audiences for documentary features and series, and also engages press contacts, job applicants and general production enquiries.
Financial Health
DistressedDistressed · 19% CAGR over 4y
Location
Lorton Sports Productions Limited
Trajectory
3y · 2022–NowFinancial sub-scores
Computed from 3 filingsProduces film and television content including documentary films and series for broadcasters and streaming platforms. Develops and produces factual entertainment and feature films covering sports,…
Serves broadcasters, streaming platforms and entertainment distributors, with projects aimed at film and TV audiences interested in sport, music, celebrity and documentaries.
Financial Health
WeakWeak
Location
DISCORDANT FILMS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
ARTS & SCIENCES LONDON LIMITED
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsProduces advertising content, feature films, documentaries and music videos, and develops fine art projects. Represents film directors and creative talent, providing production services for branded…
Serves global brands, advertising agencies, media and entertainment organisations, and cultural/art clients, including technology, sports, retail and consumer brands.
Financial Health
StrongStrong · Growing, Hiring · 10% CAGR over 3y
Location
PCT Productions Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy · 0% CAGR over 2y
Location
Broadcast Electronics Ltd
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
IN THE GAME PRODUCTIONS LIMITED
Trajectory
1y · 2024–NowFinancial Health
Insufficient historyInsufficient history
Location
ANGLO AMERICAN PICTURES LIMITED
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
StableStable
Location
Jeff H Services Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
PRIMATE PLANET PRODUCTIONS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -66% CAGR over 4y
Location
Omnilux Limited
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
DistressedDistressed · -21% CAGR over 3y
Location
Mottram Pictures Limited
Trajectory
2y · 2025–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
WeakWeak
Location
Lite Project Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
Waite Films Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
MILK AND GIN LTD
Trajectory
4y · 2022–NowFinancial Health
Insufficient historyInsufficient history
Location
HISTORY BOMBS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -68% CAGR over 4y
Location
B&W FILM SERVICES LIMITED
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
DistressedDistressed · -78% CAGR over 3y
Location
CELLCAST UK LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsProduces live television programming and interactive TV content for broadcast on platforms including Sky and Freeview. Operates TV studios, develops second‑screen apps, TV graphics and mobile gaming…
Serves TV broadcasters, media owners and interactive entertainment businesses, including operators of live TV, second-screen and mobile gaming services; also reaches consumers through online…
Financial Health
HealthyHealthy · 5% CAGR over 2y
Location
FORSE MEDIA LTD
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
StrongStrong · Growing · 0% CAGR over 3y
Location
Hyxa Brandify Ltd
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
Risovent Ltd
Trajectory
2y · 2025–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed
Location
Woodcut Media Ltd
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsProduces television programmes and documentary content, including factual and true‑crime series, for international broadcasters and streaming platforms. Develops and manages TV shows and channels and…
Serves broadcasters, streaming platforms and television commissioners in the international TV market, particularly buyers of factual, documentary and true-crime programming for global audiences.
Financial Health
StableStable · Hiring · 13% CAGR over 3y
Location
TWO CITIES (BLUE LIGHTS 4) LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsProduces scripted television drama and film projects, developing and producing series for broadcasters and streaming platforms. Credits include dramas such as Blue Lights and Patrick Melrose.
Financial Health
WeakWeak
Location
Tellett Films Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
Schroeder Knight Limited
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
StableStable · 0% CAGR over 1y
Location
Robin Creative Media Ltd
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsProvides video production and content creation services, including filming, photography, animation and drone footage. Produces short- and long-form films for organisations in sectors such as travel,…
Serves B2B and institutional clients in travel, education and placemaking, from startups to global brands, across the UK and abroad, with particular relevance for organisations based or filming in…
Financial Health
StrongStrong · Hiring · 41% CAGR over 4y
Location
CONCERTO TELEVISION LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · 0% CAGR over 2y
Location
Recurring Dreams Limited
Trajectory
4y · 2021–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
WeakWeak · 0% CAGR over 3y
Location
Burwood Broadcast Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
FLYING MAN PRODUCTIONS LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
SHL Props Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
Phil Renn Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
Atarah Mayhew Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong
Location
Coat Company Productions Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
Mezmerize Productions Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
Swimming Dogs Ltd
Trajectory
2y · 2023–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed · 0% CAGR over 1y
Location
PADDYWACK PRODUCTIONS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
Dream Oracles Limited
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
StableStable · 0% CAGR over 1y
Location
Nesh! Republic Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Hiring · 19% CAGR over 4y
Location
The Curious Squirrel Cafe Limited
Trajectory
5y · 2022–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
Helical Productions Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · -16% CAGR over 4y
Location
MJP TECHNICAL SERVICES LIMITED
Trajectory
5y · 2022–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -68% CAGR over 4y
Location
PROVIDEO PRODUCTIONS LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
Neil Cornish Media Ltd
Trajectory
4y · 2023–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
StableStable · 0% CAGR over 3y
Location
Millstream Films & Media Ltd
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
KJM Vision Ltd
Trajectory
5y · 2022–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
NorthyTV Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
EARTH BELOW FILMS LIMITED
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
ATHENA FILMS LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy · -86% CAGR over 2y
Location
Robert Kreeger Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · Growing · 0% CAGR over 4y
Location
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How Southampton TV & Film companies work and how to sell to them
What they do
Revenue is usually assembled around a production budget rather than a recurring subscription. Southampton TV and film producers tend to charge fixed project fees, cost-plus production management fees, day rates for specialist services, or staged payments tied to development, shoot, edit and delivery milestones. Some retain rights, format value or licensing income where the commissioning terms allow it, but many local operators are paid primarily to deliver a finished asset or a defined production service. Cash flow can be uneven because crew, kit, locations, insurance and post-production costs often land before final client acceptance.
Who they sell to
Typical buyers include commissioning teams, heads of production, brand and communications directors, public-sector procurement teams, agencies and education or cultural organisations. The sales route depends on the work: a commercial film brief may move through a treatment, quote and direct award, while broadcaster or public-service work tends to involve development conversations, budget approval, contracting and delivery checks. Senior creative approval matters, but finance, legal and production operations usually influence the final decision because rights, usage, insurance, safeguarding, accessibility and delivery obligations sit alongside the creative treatment.
What they buy
Most TV and film firms tend to spend on tools and services that reduce the friction of project delivery. Common categories include production accounting, budgeting, scheduling, call-sheet management, rights clearance, consent tracking, contract administration, freelancer onboarding, payroll, insurance brokerage and legal support. They also buy kit hire, location services, studio access, post-production facilities, subtitling, accessibility work, secure file transfer, storage, backup and cyber security. Smaller producers may prefer low-commitment pricing, because permanent overhead is often kept light and each production can require a different mix of crew, facilities and compliance support.
Why and how to sell to them
Buying interest tends to appear when producers win a new commission, move into higher-risk public-service or qualifying screen work, add children’s, animation or factual output, or take on more complex delivery paperwork. Outbound usually works better when it starts with production risk rather than generic creative claims: late commissioner sign-off, evidence for spend, rights-chain gaps, freelance availability, version control, insurance certificates and cash timing. The most relevant pitch is often a practical one, showing how a supplier can shorten admin, protect delivery dates or make a lean production team easier to audit.
How this list is built
Data sources
This list is built from UK Companies House filings, XBRL accounts data, and semantic analysis of each company's public website. Revenue and headcount figures come from the most recent filed accounts; where the company has not filed, values are estimated using a model trained on filed history and peer benchmarks and are labelled as estimates.
Classification
Rather than relying solely on SIC codes, Firmbase classifies each company semantically: the company's website is crawled, an AI model reads what the company actually sells, and the company is placed into the relevant industry and subsectors. SIC codes are used as one signal but not the only one. This means a company that registered under a generic SIC code but pivoted into (for example) fintech is correctly identified as fintech, not as its original SIC category.
Freshness
The underlying company data is refreshed from Companies House continuously; filings appear in the list within days of submission. The curated list ordering is regenerated when the underlying data moves meaningfully (company count changes by more than 5%, a new company enters the top-ranked segment, or the filed-revenue numbers for the top firms change). You can see the last-updated timestamp near the top of the page.
Also in Southampton
Related directories
Frequently asked questions
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