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Screen Production Companies in Sheffield: 204 Active Firms (2026)
Screen production companies in Sheffield develop, finance and deliver film and television content for commissioners across the city region.
Buying centres in Sheffield tend to sit with commissioners, heads of production, finance controllers and brand-side marketing teams rather than with central procurement alone. The work is usually project-led: development packages, production management, post-production coordination, animation or children’s content, and delivery against broadcaster or public-service terms. Buyers are mainly UK broadcasters, public-service commissioners, agencies, commercial clients and occasional co-production partners. Engagements tend to involve compact permanent teams drawing on freelance crew, local locations and specialist suppliers, with enough financial discipline to pass cultural-certification and UK-expenditure tests.
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Sheffield has 204 actively trading screen production companies, making it a small city-region cohort rather than a national-scale cluster. Reported employment is also narrow: 76 firms report headcount, covering 100% of reporting firms, and together they account for 113 people. The shape is consistent with project-financed production, where permanent payrolls remain lean and crew capacity expands around commissions. None of the firms sit above £5M turnover, while 62 were incorporated since 2022, so the cohort appears weighted towards early-commercial producers and specialist production services rather than high-revenue groups.
Production work in this market is not generally licence-based, but access to public support and broadcaster demand is rules-based. GOV.UK guidance places the Audio-Visual Expenditure Credit around eligible film, high-end television, children’s television and animation spend, with British certification handled through the cultural test or treaty co-production routes. Pact’s Terms of Trade framework shapes how public service broadcasters commission independent producers, while the independent production quota and Ofcom regional production quotas influence where qualifying work is made. For Sheffield producers, compliance capability sits close to business development: the commission, the finance plan and the location record all need to align.
Further development appears likely to be uneven rather than linear. The Sheffield cohort has the traits of a project economy: many small production vehicles, lean payrolls, and dependence on commissioning cycles that can pause as well as restart. Firms that can package development, finance, production management and certification evidence tend to be better placed than pure creative boutiques. Regional production obligations may keep some work flowing into city-region supply chains, but scale-up scarcity remains visible. Consolidation looks plausible where specialist producers need steadier finance, shared back-office capacity or broader commissioner access.
204
Active firms
2026
62
New incorporations
Since 2022
0
Above £5M turnover
Key facts
30% of the cohort was incorporated since 2022 (62 firms), so a sizeable share is in its first few filing cycles.
UK film and high-end TV production spend reached £5.6 billion in 2024, up 31% on 2023.
High-end TV accounted for £3.4 billion, or 62% of total UK production spend in 2024.
Inward investment and co-productions delivered £4.8 billion, or 86% of combined UK film and high-end TV spend in 2024.
Audio-Visual Expenditure Credit applies to expenditure incurred from 1 January 2024 on film, high-end TV, children’s TV and animation.
Public service broadcaster commissioning sits under the Terms of Trade, the 25% independent production quota and Ofcom regional production quotas.
Top Sheffield Screen Production companies
NINE LIVES PRODUCTIONS LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsProduces television programmes including observational documentaries, current affairs series, drama documentaries, children’s programmes and other factual formats for UK broadcasters, international…
Serves major UK broadcasters, global platforms and TV channels worldwide seeking factual, current affairs, observational documentary, drama-doc and children’s programming.
Financial Health
StrongStrong
Location
Spark Media Partners North Limited
Trajectory
4y · 2021–NowFinancial sub-scores
Computed from 4 filingsProduces unscripted television programmes across genres including lifestyle, game shows, reality competitions and documentaries. Develops programme ideas and manages casting, production, editing and…
Serves TV broadcasters, commissioners, streaming platforms and brand partners seeking unscripted content across lifestyle, reality, game show, documentary, digital and ad-funded genres.
Financial Health
DistressedDistressed
Location
Buffy Dog Productions Limited
Trajectory
2y · 2023–NowFinancial sub-scores
Computed from 2 filingsProduces scripted television drama and film content and manages distribution of its existing programme catalogue for international broadcasters and partners, including series such as Lost Boys &…
Serves broadcasters, streamers, distributors and international film and TV buyers seeking scripted drama catalogue rights, including UK public-service broadcaster buyers.
Financial Health
WeakWeak
Location
COMPELLING TELEVISION LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed
Location
Warp Films Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsDevelops and produces film and television drama. Works with writers, directors and production partners to create scripted projects including feature films and TV series for cinema release,…
Serves broadcasters, streaming platforms and film distributors commissioning or acquiring British scripted drama, with productions reaching TV and streaming audiences in the UK and internationally.
Financial Health
StableStable · 2% CAGR over 4y
Location
Picture Palace (North) Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
Park Hill Holdings Limited
Trajectory
5y · 2021–NowFinancial Health
Insufficient historyInsufficient history
Location
RED STAR ENTERTAINMENT LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProduces animated content for feature films, television and visitor attractions. Provides animation production services including development and script‑to‑screen creation of animated stories and…
Sells to film and TV producers, broadcasters, and visitor attraction operators seeking animation production services, primarily on a business-to-business basis.
Financial Health
HealthyHealthy · -73% CAGR over 4y
Location
Video Spectrum Ltd
Trajectory
2y · 2025–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
HealthyHealthy · 0% CAGR over 1y
Location
Rare Memo Ltd
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
StrongStrong
Location
Lunar Animation Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsProduces CGI animation and visual effects for games, film and television. Creates cinematic game trailers, commercials, episodic content, attractions and VFX sequences, providing concept development…
Serves game studios and publishers, film and TV production companies, advertising and brand teams, and visitor attraction operators needing high-end CGI, VFX or animation content.
Financial Health
StrongStrong · Growing, Hiring · 22% CAGR over 4y
Location
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
WeakWeak
Location
SOUTHCLIFFE LTD
Trajectory
5y · 2021–NowFinancial Health
Insufficient historyInsufficient history
Location
WARP (TIE TV) LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
Transforming Film Limited
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
HealthyHealthy · 0% CAGR over 1y
Location
ERYAL MULTIMEDIA HUB LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
TPL Ballerina Ltd
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
Aaran McKenzie Films Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
StableStable
Location
JFK VISION LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy
Location
LOOM PRODUCTIONS LIMITED
Trajectory
5y · 2019–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
Jodaz Media Ltd
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
E.D.E.N. Film Productions Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
Across 13 Months Limited
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
WeakWeak
Location
The Hunters Will Find Productions Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
WARP (SUBMARINE) LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
DEBROUILLARD LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy
Location
WESTBROOK GLOBAL LTD
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsOperates an entertainment studio that develops and produces film, television, and digital media content. Works with creators, brands, and platforms to produce scripted and unscripted programming and…
Serves entertainment platforms, brands and creative talent, with film, TV and media projects aimed at global consumer audiences across new and legacy channels.
Financial Health
StrongStrong · Growing, Hiring · 86% CAGR over 3y
Location
THE REAL THING LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
SEVEN VIRTUES LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
UK PANTHERS LTD
Trajectory
5y · 2022–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
Dylan Wilson-Wright Limited
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · 0% CAGR over 2y
Location
Slackjaw Film Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
LITTLE TARSIER PRODUCTIONS LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
StableStable · 0% CAGR over 1y
Location
SOUND IDEAS MEDIA LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
Brock Media (Geography) Limited
Trajectory
2y · 2025–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
WeakWeak
Location
Upgraded Films UK Limited
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy
Location
TPL Falling Limited
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
StableStable
Location
GHOST STORY LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
Mash Production Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -13% CAGR over 5y
Location
The Runaways Film Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy
Location
WARP X LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
WARP 1989 LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
Independant Media Investments Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
OPTIC CIRCLE LIMITED
Trajectory
5y · 2022–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
RUN 71 LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
BRUTALIST LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
StableStable
Location
Duroc Film Ltd
Trajectory
2y · 2023–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
DistressedDistressed · 0% CAGR over 1y
Location
ENON FILMS LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · -16% CAGR over 4y
Location
Flycheese Productions Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StrongStrong · Hiring · 19% CAGR over 4y
Location
Jmc Creative Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
WeakWeak · 0% CAGR over 2y
Location
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How Sheffield Screen Production companies work and how to sell to them
What they do
Sheffield screen production companies usually earn through a mix of development fees, production management fees, fixed project budgets, cost-plus service work and, for some producers, rights participation or back-end revenue. Cash arrives in stages: option or development payments first, then drawdowns tied to greenlight, shoot, delivery and acceptance. Commercial work is more likely to be priced as a fixed-fee production package, while broadcaster and public-service work tends to require tighter cost reporting, delivery schedules and audit trails. The product is not just the finished film or programme; it is the ability to assemble finance, crew, locations, post-production and certification evidence around a brief.
Who they sell to
Typical buyers are commissioners, agency producers, brand-side marketing teams, production executives and co-production partners, with finance and legal teams pulled in once rights, recoupment and delivery terms matter. Smaller jobs may be won through direct relationships and showreels, while larger commissioned work tends to move through formal briefs, development rounds, pitch processes or production frameworks. Sales cycles are often tied to commissioning calendars rather than a simple procurement queue, so early relationship-building matters. Contract values vary widely by format and stage, but most firms face a clear split between speculative development, paid pre-production and fully financed production work.
What they buy
Most Sheffield screen production firms tend to spend on tools and services that reduce friction between creative development, production finance and delivery. Common purchases include production accounting, budgeting, payroll, freelancer onboarding, call-sheet and scheduling software, rights and clearance support, legal advice, insurance, HR, recruitment, cloud storage, secure file transfer, post-production coordination and asset review. Firms working with public-service or tax-supported projects also need evidence management around UK expenditure, location records and cultural-certification materials. Marketing spend is usually practical rather than broad-based: pitch materials, trade attendance, commissioner outreach, case studies and sales collateral that help convert a development conversation into a funded commission.
Why and how to sell to them
Screen production buyers tend to evaluate suppliers when a project moves from development into pre-production, when a commission changes cashflow expectations, or when a lean permanent team needs to manage more freelancers, contracts and delivery evidence than usual. Other triggers include new finance leadership, a move into children’s content or animation, co-production activity, or preparation for broadcaster audit and Ofcom-related regional reporting. Outbound usually works better when it is tied to a production pain point: fewer reconciliation delays, cleaner crew onboarding, clearer rights records, safer file handling or less manual reporting. Generic productivity claims are less persuasive than proof that the offer fits project-led work.
How this list is built
Data sources
This list is built from UK Companies House filings, XBRL accounts data, and semantic analysis of each company's public website. Revenue and headcount figures come from the most recent filed accounts; where the company has not filed, values are estimated using a model trained on filed history and peer benchmarks and are labelled as estimates.
Classification
Rather than relying solely on SIC codes, Firmbase classifies each company semantically: the company's website is crawled, an AI model reads what the company actually sells, and the company is placed into the relevant industry and subsectors. SIC codes are used as one signal but not the only one. This means a company that registered under a generic SIC code but pivoted into (for example) fintech is correctly identified as fintech, not as its original SIC category.
Freshness
The underlying company data is refreshed from Companies House continuously; filings appear in the list within days of submission. The curated list ordering is regenerated when the underlying data moves meaningfully (company count changes by more than 5%, a new company enters the top-ranked segment, or the filed-revenue numbers for the top firms change). You can see the last-updated timestamp near the top of the page.
Also in Sheffield
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Frequently asked questions
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