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Screen Production Companies in Cardiff: 446 Active Firms (2026)
Screen production companies in Cardiff develop and deliver film and high-end TV projects for commissioners, studios and public broadcasters.
Commissioning relationships tend to sit with public-service broadcaster teams, studio finance desks, children’s and animation commissioners, and international production partners. Cardiff operators usually sell project delivery rather than repeat licences, so buyer confidence rests on slate development, cost control, rights clearance, production management and access to crew. Engagements are typically episodic and budgeted around a single commission or co-production, closer to full production finance than short consulting retainers. Larger operators may carry project-linked revenue without large permanent payrolls, adding specialist labour as a shoot or animation pipeline moves into production. The relevant buyers are business-to-business and broadcaster-side teams, not consumers.
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Cardiff has 446 actively trading screen production companies, a sizeable local cohort without a broad base of scaled producers. Only 2 have turnover above £5M, while 107 were incorporated since 2022, pointing to a market with a long tail of newer or sub-scale entities around a much smaller commercial tier. Reported employment totals 223 people across 117 firms, and each firm in that reporting group has at least one employee. That footprint fits a project-led model: core teams remain small, while freelancers, facility partners and temporary crews sit outside the company headcount.
Fiscal support, rather than licensing, is the main rules-based layer for Cardiff producers. Under GOV.UK guidance, film, high-end TV, children’s TV and animation sit within the Audio-Visual Expenditure Credit regime, with eligibility tied to UK activity and British certification through the cultural test or a co-production treaty route. Credit rates differ by production type, and qualifying independent films face a cap on eligible core costs. Commissioning is also shaped by Pact’s Terms of Trade framework for independent producers selling to public service broadcasters, while Ofcom regional production quotas matter for projects positioned as nations-and-regions work. The practical effect is that finance, rights, location spend and certification paperwork sit close to creative development.
Cardiff’s screen-production base appears weighted towards project-dependent independents, with only a small layer of firms operating at scale. That shape tends to favour partnerships, co-productions and variable crew networks over large permanent payrolls. The better-positioned producers are likely to be those that can package finance, meet certification conditions and satisfy broadcaster regional requirements without carrying too much fixed cost between commissions. Consolidation may remain episodic rather than sweeping, because rights ownership, commissioner relationships and slate timing matter as much as company size. Children’s content, animation and inward-investment service work may keep pulling capability into Cardiff, but the commercial path still looks uneven.
446
Active firms
2026
2
Above £5M
Turnover band
107
Since 2022
New incorporations
Key facts
About 1% of the trading cohort reports turnover above £5M (2 of 446 firms) — the rest sits below that revenue band.
23% of the cohort was incorporated since 2022 (107 firms), so a sizeable share is in its first few filing cycles.
UK film and high-end TV production spend was £5.6 billion in 2024, up 31% on 2023; high-end TV accounted for £3.4 billion and feature film for £2.1 billion.
Inward investment and co-production films and high-end TV delivered £4.8 billion in 2024, or 86% of combined UK production spend.
Audio-Visual Expenditure Credit applies to qualifying expenditure from 1 January 2024, with GOV.UK credit rates of 34% for most films and TV programmes, 39% for children’s TV and animation, and 53% for qualifying independent films.
Productions need BFI British certification via the cultural test or an official co-production treaty route, and at least 10% of core costs must relate to UK activities.
Ofcom regional production quotas and the Terms of Trade for independent commissions shape how public service broadcasters place production work around the UK.
Top Cardiff Screen Production companies
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsProduces and commissions high‑end television drama series for broadcasters and streaming platforms. Activities include development, production and studio-based filming of scripted programmes such as…
Serves television broadcasters, streaming platforms and content commissioners seeking high-end scripted drama and entertainment productions.
Financial Health
StableStable · 1% CAGR over 2y
Location
Little Door Productions Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProduces scripted television drama series. Develops projects with writers, directors and producers and oversees production of television series and films for broadcasters and streaming platforms.
Sells to television broadcasters and platform commissioners, with scripted drama productions distributed through channels such as BBC and Sky for mainstream TV audiences.
Financial Health
HealthyHealthy · Growing, Hiring · 15% CAGR over 4y
Location
Severn Screen Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProduces film and television content, including drama series and feature films. Develops and produces scripted productions for broadcasters and streaming platforms, with projects including crime…
Targets broadcasters, streaming services and film/TV commissioners seeking scripted screen content, alongside distributors and other media partners.
Financial Health
StrongStrong · Growing, Hiring · 5% CAGR over 4y
Location
Cardiff Productions Limited
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsProduces television and digital content including documentaries, specialist factual series, entertainment formats and scripted programmes. Develops and delivers programmes for broadcasters such as…
Serves TV broadcasters and commissioning editors, including BBC, Channel 4 and S4C, across documentary, factual, entertainment, scripted and digital content markets.
Financial Health
DistressedDistressed · -27% CAGR over 2y
Location
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsProvides 3D character animation, visual effects, and 2D compositing for television, film, and commercial productions. Handles animation workflows including modelling, rigging, look development,…
Serves TV and film producers, broadcasters, animation studios, and brands or agencies commissioning commercials, mainly through B2B project work and co-productions.
Financial Health
StrongStrong · Hiring · 6% CAGR over 5y
Location
ENJAZ DIGITAL SERVICES LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
Cloth Cat Limited
Trajectory
4y · 2023–NowFinancial sub-scores
Computed from 4 filingsProduces 2D and 3D animation for broadcast, film and promotional projects. Develops animated content concepts and pitch materials, provides animation production services, and develops or co-develops…
Serves broadcasters, film and media producers, game studios and publishers, charities, and brands commissioning animation, games or promotional content, from small projects to large productions.
Financial Health
HealthyHealthy · Hiring · 22% CAGR over 3y
Location
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProduces television programmes and documentaries for UK broadcasters and international markets. Develops factual and documentary series covering topics such as history, current affairs, crime, and…
Serves television broadcasters and commissioners in the UK and global TV market, including public-service channels such as the BBC.
Financial Health
WeakWeak · -24% CAGR over 4y
Location
Kailash Films Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsProduces unscripted television programmes and documentary films for broadcast networks. Develops and produces factual series and feature-length documentaries covering cultural, historical and…
Serves B2B television broadcasters and commissioning teams seeking unscripted factual and documentary content for mainstream audiences, including globally recognised broadcast networks.
Financial Health
StrongStrong · Growing, Hiring · 19% CAGR over 4y
Location
About Premium Content (UK) Limited
Trajectory
4y · 2023–NowFinancial sub-scores
Computed from 4 filingsDevelops and produces scripted and documentary film and television content. Works with creative teams to develop projects and manages selected productions for broadcasters and media platforms.
Financial Health
WeakWeak · 0% CAGR over 3y
Location
JOHN STEPHENSON LTD
Trajectory
5y · 2021–NowFinancial Health
Insufficient historyInsufficient history
Location
Tiny Welsh Media Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
Scruffyhead Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
Andie Mear Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
N-Trance09 Ltd
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
Hpl Dev Ltd
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
WeakWeak
Location
Michael Shorten Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 5y
Location
ELF FILM HOUSE LIMITED
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
BERYL PRODUCTIONS INTERNATIONAL LTD
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsProduces animated films, short films, and commercial advertising animations. Portfolio includes hand‑drawn animation projects, illustrated work, and trailers, alongside publications, books, and…
Serves advertising agencies, consumer brands, broadcasters and film/media commissioners seeking animation-led commercial, trailer, film and illustration projects.
Financial Health
WeakWeak · 0% CAGR over 2y
Location
NIMBLE DRAGON PRODUCTIONS LIMITED
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsProduces television programmes focused on popular factual and sports entertainment. Develops and produces unscripted formats and series, working with creative and production teams to deliver…
Serves B2B TV commissioners, local and network broadcasters, and distribution partners seeking popular factual and sports entertainment programming.
Financial Health
StableStable · 0% CAGR over 2y
Location
Snap Shot Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
MARINER PRODUCTIONS LTD
Trajectory
4y · 2021–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
WeakWeak
Location
HARRISSON TV LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
BARN MEDIA LTD
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
Anondeco Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
Trajectory
4y · 2022–NowProduces television documentaries and factual entertainment programmes, including series on history, music, film and true crime. Develops and co‑produces programmes for broadcasters and international…
Serves broadcasters, streaming platforms and international distributors commissioning factual television, especially history, culture, true crime and royalty programming.
Financial Health
Insufficient historyInsufficient history
Location
Powerprops Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
Bright Branch Media Limited
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsProduces factual television programmes, documentaries, and behind‑the‑scenes or electronic press kit (EPK) content for television series and films. Also creates short‑form digital and social media…
Serves broadcasters, TV production companies, streaming platforms and global brands needing factual, behind-the-scenes, EPK and social content for entertainment and drama projects.
Financial Health
StrongStrong · Growing, Hiring · 12% CAGR over 2y
Location
Ie Ie Productions Limited
Trajectory
5y · 2020–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · -10% CAGR over 4y
Location
Barkingmad TV Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · Growing · 0% CAGR over 4y
Location
Little Door (The Pact II) Ltd
Trajectory
4y · 2022–NowFinancial sub-scores
Computed from 4 filingsFinancial Health
DistressedDistressed
Location
DAN WHEATLEY PRODUCTIONS LTD
Trajectory
2y · 2023–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
WeakWeak · 0% CAGR over 1y
Location
Sarah-Jane Perez Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
Green2screen Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
Way Films LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
Little Door (The Pact) Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed
Location
Dan Martin Design Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · Hiring · 19% CAGR over 4y
Location
Haven Broadcast Ltd
Trajectory
3y · 2022–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
HealthyHealthy · 0% CAGR over 2y
Location
Reith Hall Productions Limited
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
HealthyHealthy · 0% CAGR over 1y
Location
Inspire Film & Television Ltd
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
Location
NAUGHTY PIXEL LTD
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak
Location
Bryant Sound Ltd
Trajectory
1y · 2025–NowFinancial Health
Insufficient historyInsufficient history
Location
Viking House Productions Limited
Trajectory
5y · 2020–NowFinancial Health
Insufficient historyInsufficient history
Location
Ins-Prod Ltd
Trajectory
4y · 2021–NowFinancial sub-scores
Computed from 4 filingsProduces television programming including reality competition series, entertainment shows, and awards broadcasts. Develops and delivers unscripted formats and branded content, and provides production…
Serves B2B media and entertainment buyers, including broadcasters, streaming platforms and brands seeking branded content, as well as casting applicants for unscripted and entertainment productions.
Financial Health
DistressedDistressed
Location
Severn Burton Ltd
Trajectory
2y · 2024–NowFinancial sub-scores
Computed from 2 filingsFinancial Health
WeakWeak
Location
Vox Pictures Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
DG Productions Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
Teddys Place Ltd
Trajectory
3y · 2023–NowFinancial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed
Location
Yellow Barrels Limited
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 4y
Location
FRESH CATCH FILMS LTD.
Trajectory
5y · 2021–NowFinancial sub-scores
Computed from 5 filingsFinancial Health
WeakWeak · 0% CAGR over 4y
Location
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How Cardiff Screen Production companies work and how to sell to them
What they do
Cardiff screen producers usually make money through production budgets rather than product licences. Revenue can come from broadcaster commissions, co-production finance, production-service fees, development funding, producer fees, rights participation and expenditure-credit cashflow. The commercial unit is a film, series, children’s project, animation package or production-service assignment, with margin managed through schedules, locations, talent, post-production and overhead recovery. Animation and post-heavy work may involve longer pipeline capacity planning, while live-action work flexes around shoots and crew availability. Repeat revenue tends to come from commissioner relationships and slate renewal, not from subscriptions.
Who they sell to
Most buyers sit inside broadcaster, studio, distributor, streamer or co-production teams, with commissioning editors, heads of production, finance controllers, business-affairs lawyers and executive producers shaping the decision. Contract values are usually project budget-backed rather than seat-priced. Procurement is typically relationship-led at development stage, then formalised through commissioning agreements, production budgets, delivery schedules and rights terms once a project moves towards greenlight. Public-service broadcaster work adds quota and Terms of Trade considerations, while inward-investment service work tends to involve production finance, location management and delivery assurance. Sales cycles can be long because creative approval, finance plans, talent availability and certification all have to line up before spend is released.
What they buy
Most screen production firms tend to spend on tools and services that make temporary production teams easier to coordinate. Common categories include production accounting, budgeting and scheduling software, payroll, freelancer onboarding, contract management, rights clearance, insurance, audit support and finance administration. Post-production needs can include secure file transfer, cloud storage, edit workflow management, media asset cataloguing, backup, rendering capacity and cybersecurity. Service providers may also find demand for legal advice, tax-credit administration, bookkeeping, recruitment, crew databases, location support, health and safety consultancy, publicity and distribution support. The practical test is whether a supplier reduces friction around a commissioned project rather than adding a permanent overhead.
Why and how to sell to them
Buying intent often appears when a producer moves from development into funded production, wins a commission, takes on a co-production partner, hires production finance leadership or starts building a slate around children’s, animation or high-end television work. Other triggers include pressure to evidence UK spend, prepare cultural-certification materials, control freelancer costs, protect rushes, or meet broadcaster delivery and rights-reporting requirements. Outbound messages tend to land better when they speak to margin leakage, audit readiness, crew onboarding, rights certainty and delivery risk, rather than generic creative-sector language. Cardiff producers may be lean between projects, so timing matters: a pitch attached to greenlight, pre-production or post-production close-out is usually more relevant than a broad annual renewal story.
How this list is built
Data sources
This list is built from UK Companies House filings, XBRL accounts data, and semantic analysis of each company's public website. Revenue and headcount figures come from the most recent filed accounts; where the company has not filed, values are estimated using a model trained on filed history and peer benchmarks and are labelled as estimates.
Classification
Rather than relying solely on SIC codes, Firmbase classifies each company semantically: the company's website is crawled, an AI model reads what the company actually sells, and the company is placed into the relevant industry and subsectors. SIC codes are used as one signal but not the only one. This means a company that registered under a generic SIC code but pivoted into (for example) fintech is correctly identified as fintech, not as its original SIC category.
Freshness
The underlying company data is refreshed from Companies House continuously; filings appear in the list within days of submission. The curated list ordering is regenerated when the underlying data moves meaningfully (company count changes by more than 5%, a new company enters the top-ranked segment, or the filed-revenue numbers for the top firms change). You can see the last-updated timestamp near the top of the page.
Also in Cardiff
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Frequently asked questions
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