Digital Content Companies in Liverpool: 228 Active Firms (2026)
Digital content companies in Liverpool produce, monetise and distribute online media, creator services and influencer marketing across the city region.
Buying centres tend to sit in marketing, social, ecommerce, audience development and editorial teams, rather than in central IT. Liverpool providers commonly sell to UK advertisers, agencies, publishers, entertainment businesses and consumer brands that need packaged content, creator access or managed online communities. Engagements usually look like retained production, campaign-management or creator-representation briefs rather than one-off media buys, with revenue drawn from sponsorship, affiliate activity, subscriptions, licensing and community management. The buyer profile is therefore mixed: some briefs are agency-led and campaign-based, while others sit closer to outsourced audience operations for media and consumer-facing businesses.
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Liverpool has 228 actively trading digital content companies in this cohort, making it a relatively localised creator-economy market rather than a broad national cluster. Reported headcount totals 319, which points to a base of small studios, founder-led agencies and specialist operators. Only 2 companies report turnover above £5M, so the revenue distribution is thin at the upper end. The younger end is visible too: 63 firms were incorporated since 2022, suggesting continued formation around social-first production, affiliate-led promotion, creator services and managed communities, even if relatively few have yet moved into larger-company revenue bands.
Consumer-protection and advertising law shape the operating model more than a sector licence. CMA guidance treats hidden ads and misleading promotional practices as potential consumer-protection breaches, with fines available where conduct crosses the line. ASA and CAP Code expectations are also central: marketing communications should be obviously identifiable, and influencer advertorials, affiliate marketing, gifts, commissions, sponsorships and own-brand promotional posts are expected to carry clear and prominent labelling such as “Ad”. Enforcement sits across the CMA, Trading Standards Services and the Advertising Standards Authority, which makes disclosure practice a day-to-day compliance issue rather than a back-office formality.
The cohort appears weighted towards early-commercial and agency-style businesses, where differentiation tends to come from audience knowledge, production cadence and access to creator networks. Scale-up scarcity may persist because campaign services can remain labour-intensive, while affiliate and sponsorship income is exposed to changes in platform rules and consumer-brand budgets. Compliance pressure is likely to favour operators with repeatable disclosure processes and tighter campaign governance. Consolidation looks plausible at the service-agency end, particularly where publishers, entertainment businesses or larger marketing-services groups want specialist creator capability without building it internally.
What’s in the file
One row per company, 50+ columns — everything below plus each company’s verified directors, from Companies House filings.
Company data
Verified directors — included
228
Active firms
2026
2
£5M+ firms
Turnover above £5M
63
Incorporated since 2022
Newer Liverpool firms
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Key facts
About 1% of the trading cohort reports turnover above £5M (2 of 228 firms) — the rest sits below that revenue band.
27% of the cohort was incorporated since 2022 (63 firms), so a sizeable share is in its first few filing cycles.
Digital content creators and influencer-marketing businesses are mainly governed through consumer-protection and advertising rules rather than a sector licence.
GOV.UK/CMA guidance says hidden ads or misleading practices may breach consumer protection law and can lead to substantial fines.
Paid or incentivised creator posts, including gifts, commissions, affiliate links, sponsorships and own-brand promotions, must be clearly identifiable as advertising.
DCMS provisional 2024 economic estimates put DCMS-sector GVA at £247.6 billion, contributing 9.4% to UK GVA.
DCMS reported that DCMS-sector GVA grew 2.6% from 2023 to 2024, with creative industries at +4.6%.
Top Liverpool Digital Content companies
Financial sub-scores
Computed from 5 filingsProduces podcasts, video content and written articles focused on Liverpool FC, including match previews, analysis and fan commentary. Publishes free and subscription content via its website and app,…
Serves Liverpool FC supporters, particularly match-going and engaged fans seeking fan-led coverage, podcasts, videos, writing, live events and supporter community content.
Financial Health
StableStable · 0% CAGR over 4y
Location
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Financial sub-scores
Computed from 5 filingsProvides music publishing services for songwriters and artists, including registration of compositions, global royalty collection and administration, rights management, and licensing of music for…
Serves independent musicians, songwriters and self-releasing artists who want control over their music publishing, royalties and song catalogue management.
Financial Health
DistressedDistressed
Location
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Financial sub-scores
Computed from 5 filingsProvides an online platform for the travel trade featuring industry news, product updates, directories, training content and competitions, and offers social media marketing and promotional services…
Serves B2B customers in the travel trade, including travel agents and industry suppliers such as tour operators, cruise lines, hotels, airlines and destinations.
Financial Health
StrongStrong · Growing, Hiring · 27% CAGR over 5y
Location
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Financial sub-scores
Computed from 4 filingsFinancial Health
StableStable · 0% CAGR over 3y
Location
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Financial sub-scores
Computed from 5 filingsFinancial Health
HealthyHealthy · -68% CAGR over 4y
Location
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Financial sub-scores
Computed from 2 filingsProvides a software platform for managing partnership marketing programmes, enabling brands to recruit and manage affiliates, influencers and referral partners, track performance and attribution,…
Serves B2B marketing, partnerships and ecommerce teams at brands, retailers, SaaS companies, app businesses and publishers, plus agencies working with affiliate, influencer, creator and referral…
Financial Health
HealthyHealthy · -75% CAGR over 1y
Location
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Financial sub-scores
Computed from 4 filingsDevelops and manages music artists, produces music releases, and organises live entertainment events including concerts, festivals and award ceremonies. Also operates media platforms featuring artist…
Serves musicians and performers seeking representation or showcases, entertainment industry organisations, companies needing event support, and music fans and live event audiences locally and…
Financial Health
HealthyHealthy · Hiring · 54% CAGR over 3y
Location
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Financial sub-scores
Computed from 5 filingsDevelops a digital platform that enables sports, media and entertainment organisations to run fan engagement experiences, games and loyalty programmes across apps, websites and broadcasts, with tools…
Serves B2B sports, entertainment and media organisations, including brands with large fan audiences across apps, websites, venues, broadcasts and streaming platforms.
Financial Health
DistressedDistressed · -4% CAGR over 4y
Location
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Produces television and digital media content including entertainment events, documentaries, reality formats and drama. Develops multi-genre programming and intellectual property for broadcasters,…
Serves broadcasters, media clients, luxury international brands, and high-profile public figures seeking entertainment, documentary, reality, drama, and digital content production.
Location
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Financial sub-scores
Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
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Financial sub-scores
Computed from 4 filingsFinancial Health
DistressedDistressed · -21% CAGR over 3y
Location
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Computed from 3 filingsOperates an online platform that allows creators to publish posts, share profile links, and distribute content to followers. Provides tools for audience subscriptions, notifications, link pages,…
Sells to individual content creators, influencers and online publishers seeking audience monetisation, profile pages and link sharing, including creators promoting affiliate products or external…
Financial Health
StrongStrong
Location
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Financial sub-scores
Computed from 3 filingsFinancial Health
DistressedDistressed · -95% CAGR over 1y
Location
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Financial sub-scores
Computed from 5 filingsFinancial Health
StableStable
Location
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Financial Health
N/AN/A
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Computed from 5 filingsPublishes Roofing Today, a trade magazine and online platform covering the roofing and construction sector, providing industry news, project features, product information, job listings, newsletters…
Serves UK roofing specifiers, contractors and wider roofing industry businesses, including suppliers and manufacturers seeking trade media advertising and visibility.
Financial Health
StrongStrong · Hiring · 6% CAGR over 4y
Location
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Financial sub-scores
Computed from 4 filingsFinancial Health
DistressedDistressed · 0% CAGR over 3y
Location
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Financial Health
N/AN/A
Location
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Financial Health
N/AN/A
Location
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Computed from 3 filingsFinancial Health
HealthyHealthy · 0% CAGR over 2y
Location
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Financial Health
N/AN/A
Location
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Computed from 3 filingsFinancial Health
StrongStrong · 0% CAGR over 1y
Location
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Computed from 4 filingsFinancial Health
DistressedDistressed · 0% CAGR over 3y
Location
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Computed from 3 filingsFinancial Health
StableStable · 0% CAGR over 2y
Location
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Computed from 5 filingsFinancial Health
HealthyHealthy · 0% CAGR over 5y
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Financial sub-scores
Computed from 5 filingsFinancial Health
StableStable · -68% CAGR over 4y
Location
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Computed from 5 filingsFinancial Health
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Computed from 3 filingsFinancial Health
DistressedDistressed · 0% CAGR over 2y
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Computed from 5 filingsFinancial Health
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Financial Health
N/AN/A
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Computed from 5 filingsFinancial Health
StableStable · -51% CAGR over 4y
Location
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Computed from 2 filingsFinancial Health
HealthyHealthy · 0% CAGR over 1y
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Computed from 5 filingsFinancial Health
StrongStrong
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Financial sub-scores
Computed from 5 filingsFinancial Health
StableStable
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Computed from 5 filingsProvides reprographic services for publishers, artists and creative studios, including image scanning, colour correction, creative retouching and art photography, preparing artwork and images for…
Serves publishers, artists, and creative studios, including editorial and design teams involved in print-focused creative projects.
Financial Health
WeakWeak
Location
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Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
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Computed from 5 filingsOperates brands including Wyzowl, producing custom explainer videos for businesses, and Project.co, a client‑facing project management software platform that enables teams to manage projects, track…
Serves B2B customers worldwide, including companies needing marketing communications for prospects, customers, employees and investors, plus service businesses and client-facing teams managing…
Financial Health
WeakWeak · -18% CAGR over 4y
Location
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Computed from 5 filingsOperates a digital-focused record label providing recording, music production, distribution, publishing administration, neighbouring rights management, playlist strategy and sync licensing. Also…
Serves recording artists and music industry partners globally, with a secondary audience of music supervisors and licensing buyers across film, TV, advertising, cinema, online media and gaming.
Financial Health
StrongStrong · Growing, Hiring · 32% CAGR over 4y
Location
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Computed from 3 filingsOperates a network of online sports media websites producing digital content for large audiences. Also provides publisher monetisation services including header bidding integration, advertising…
Serves digital publishers of all sizes, especially online media businesses seeking monetisation and audience growth support; its owned sports websites also target online sports fans.
Financial Health
StableStable · Hiring · 13% CAGR over 2y
Location
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Computed from 5 filingsProduces and licenses news, video and image content for publishers, broadcasters, digital platforms and brands. Sources and creates viral videos, photos and stories, maintains rights‑cleared…
Serves B2B media and brand customers, including web and social publishers, TV and OTT platforms, news organisations, digital platforms and global commercial brands seeking licensed or produced media…
Financial Health
WeakWeak · -63% CAGR over 5y
Location
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Computed from 5 filingsProvides an e‑commerce platform for content creators to build branded websites, sell merchandise and digital products, manage memberships, and handle order fulfilment, production, and shipping for…
Serves creators and creator-led businesses, including YouTubers, Twitch streamers, TikTokers, musicians, podcasters, comedians and online communities looking to monetise audiences through shops or…
Financial Health
StrongStrong · Hiring · 8% CAGR over 6y
Location
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Computed from 5 filingsProduces film and television content, including original series and documentaries. Projects cover sport and entertainment subjects such as football competitions, athlete profiles, and other scripted…
Financial Health
HealthyHealthy · -51% CAGR over 4y
Location
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Computed from 5 filingsFinancial Health
DistressedDistressed · 0% CAGR over 4y
Location
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Computed from 3 filingsFinancial Health
StableStable · 0% CAGR over 2y
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Computed from 2 filingsFinancial Health
StrongStrong
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Computed from 3 filingsFinancial Health
WeakWeak · 0% CAGR over 2y
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Computed from 2 filingsFinancial Health
HealthyHealthy · 0% CAGR over 1y
Location
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Computed from 5 filingsFinancial Health
StableStable · 0% CAGR over 4y
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Computed from 3 filingsFinancial Health
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How Liverpool Digital Content companies work and how to sell to them
What they do
Digital content firms usually turn attention into billable packages: short-form video, social assets, editorial packages, creator-led campaigns, affiliate content, newsletters and managed online groups. Revenue tends to combine retainers, campaign fees, representation commission, licensing fees and performance-linked affiliate income, with the mix depending on whether the firm behaves more like a studio, agency, publisher or talent intermediary. Pricing is often scoped around production volume, channel coverage, creator access, usage rights and reporting requirements. Liverpool operators are therefore service businesses with media-like upside, rather than pure software firms; margins depend on repeatable workflows, reusable audience insight and disciplined control of freelancer, creator and production costs.
Who they sell to
Most buyers sit in brand, growth, social, ecommerce, audience, partnerships or editorial roles, with finance and legal joining once spend, rights or disclosure risk rises. Consumer brands, agencies, publishers and entertainment businesses typically buy through direct outreach, referral networks and agency rosters; formal tendering is less central, although larger organisations may still ask for statements of work, insurance, usage terms and campaign governance. Smaller briefs can close quickly when tied to a launch or seasonal campaign. Retained community or publisher work tends to take longer, because buyers need to check tone of voice, audience fit, reporting, moderation practice and contract ownership.
What they buy
Most digital content firms tend to spend on tools and services that make campaign delivery less dependent on inboxes and spreadsheets: customer relationship management, pitch tracking, content calendars, asset review, approvals, social scheduling, audience analytics, affiliate tracking and creator payment administration. Rights management, contract templates, accountancy, tax support and insurance matter because usage permissions, commissions and late client payments can become operational problems. As teams move beyond founder-led delivery, they also buy recruitment support, freelance management, cloud storage, production equipment, studio access, moderation support and security controls for shared client assets.
Why and how to sell to them
Digital content buyers tend to evaluate vendors when ad hoc campaign work turns into retained accounts, when a larger brand or agency introduces stricter reporting, or when CMA, ASA and CAP Code obligations expose weak disclosure processes. Hiring producers, account managers or commercial leads can also signal a move from founder-led delivery to a more managed operating model. Outbound works better when it starts from operational friction rather than generic brand uplift: missed approvals, unclear usage rights, manual creator payments, thin margin visibility, inconsistent campaign reporting, or the need to evidence that paid and incentivised content is labelled properly.
How this list is built
Data sources
This list is built from UK Companies House filings, XBRL accounts data, and semantic analysis of each company's public website. Revenue and headcount figures come from the most recent filed accounts; where the company has not filed, values are estimated using a model trained on filed history and peer benchmarks and are labelled as estimates.
Classification
Rather than relying solely on SIC codes, Firmbase classifies each company semantically: the company's website is crawled, an AI model reads what the company actually sells, and the company is placed into the relevant industry and subsectors. SIC codes are used as one signal but not the only one. This means a company that registered under a generic SIC code but pivoted into (for example) fintech is correctly identified as fintech, not as its original SIC category.
Freshness
The underlying company data is refreshed from Companies House continuously; filings appear in the list within days of submission. The curated list ordering is regenerated when the underlying data moves meaningfully (company count changes by more than 5%, a new company enters the top-ranked segment, or the filed-revenue numbers for the top firms change). You can see the last-updated timestamp near the top of the page.
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Frequently asked questions
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